Two decades after it first redefined the classic Chesterfield, B&B Italia’s Tufty-Time returns in a new edition. Tufty-Time 20 refines the original’s comfort, form and flexibility while embedding circularity at its core.
February 17th, 2026
Tufty-Time cemented itself as a classic straight out of the gates. Now, twenty years after its debut, it returns as a recalibrated edition. With the arrival of Tufty-Time 20 in Australia, B&B Italia revisits one of its most influential seating systems and updates it for the way we live, work and gather now. Available exclusively in Australia at Space Furniture, the new edition marks a considered evolution of an icon – one designed to endure for the next two decades and beyond.
Designed by Patricia Urquiola, Tufty-Time charted a shift in sofa culture when it was first launched in 2005. The sofa reinterpreted the Chesterfield and capitonné traditions through a contemporary lens, introducing a softer, more relaxed language of modular living. With its generous proportions, low-slung comfort and flexibility, it was a sofa that moved easily between residential interiors and commercial environments, quickly becoming one of B&B Italia’s most recognisable and enduring designs.

“B&B Italia celebrates 20 years of Tufty‑Time, a piece very dear to me. A new version designed with longevity in mind, a fundamental quality for a design approach that looks ahead,” says Urquiola.
Tufty-Time 20 builds on this legacy with a series of deliberate refinements. At its core is a commitment to circularity. The system has been engineered for complete disassembly, allowing materials and components to be separated and recycled at the end of their life – an approach that places environmental responsibility on equal footing with comfort and form.
The new structure introduces thicker layers of padding, and recycled materials to deliver a softer and more enveloping seating experience. The seat height has also been subtly increased to improve ergonomics, which is a response to contemporary expectations of comfort across both home and workplace settings. These changes are understated but impactful, enhancing the everyday experience without altering the character that made the original so recognisable.

Modularity remains central to the system’s appeal. As such, Tufty-Time 20 comprises 14 flexible modules, including a new curved element that opens up more organic, conversational layouts. Designed to encourage face-to-face interaction, the curved module is particularly suited to hospitality, workplace and social spaces, where seating is less about formality and more about connection. In these environments, the sofa becomes a social landscape – something to gather around.
Tufty-Time 20 is presented through Space Furniture’s curated lens, sitting comfortably within a broader narrative of global design excellence. For over three decades, Space has connected Australian architects and designers with enduring international collections. creating environments where craftsmanship, innovation and lifestyle intersect. Tufty-Time 20 exemplifies this ethos: a living sculpture that anchors space, and sets the tone.
A welcomed update, Tufty-Time 20 is a considered evolution, one that honours history, elevates comfort and looks responsibly towards the future.
Space Furniture
spacefurniture.com.au





INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Joanne Odisho has been named the 2026 Australian Furniture Design Award winner for Mod-u, a modular lighting system made from eggshell composites and bio-filament.
At r.a.g.e Hot Glass Studio, the glass artist and furniture designer will trace the making of two sculptural wall sconces through live glassblowing, discussion and process-led collaboration.
From indoor-outdoor furniture systems and archival reissues to experimental lighting, circular materials and collectible surfaces, these launches captured Milan Design Week’s broader conversation around comfort, craft, longevity and atmosphere.
The internet never sleeps! Here's the stuff you might have missed
Brunit by 23 Degrees Design Shift brings together expressive structure, industrial materiality and climate-conscious hospitality on a rooftop site in Vijayawada.
AFK Studios’ Earle Arney joined STORIESINDESIGN podcast last year to speak about SyLon. Here, we reproduce a summary on a recent report with NLA that builds on research into housing as infrastructure amidst a landscape of housing crisis.