Aedas, CSWADI and New Era Airport Design Institute have won a competition to design the new Yantai International Airport Terminal 2 in China.
As part of the Phase 2 expansion of Yantai International Airport, a competition was held for the design and construction of a new terminal that is scheduled to open in 2021. Aedas, as lead design architect and part of an international team consisting of CSWADI and New Era Airport Design Institute, has been awarded the job. The Aedas team is being led by Max Connop (Global Design Principal) and Albert Tong (Executive Director – Hong Kong).

The form of the new 167,000-square-metre Terminal 2 will reference the coastal mountainscape of Yantai (in particular the Kunyu Mountain) with a sweeping, undulating roof. The concourses are arranged to form a long coastline, says Aedas, with generous space for the movement of people and the parking of aircraft.
Skylights have been designed to guide passengers intuitively toward the gates, and to bring natural light deep into the terminal’s departure check-in and processing halls.
Yantai International Airport Terminal 2 is expected to serve 23 million passengers by 2030, and will be crucial in responding to rapidly increasing demand for air travel generated by the growing Yantai and Shandong economy. Says Aedas, “Terminal 2 will be the new intelligent and sustainable gateway for the city.” An expansion of the new terminal has already been planned, and by 2040 it will reach over 200,000 square metres and serve 34 million passengers.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Cycling culture and heritage seldom converge, yet the AITASHOP flagship in Beijing is a space where both coexist.
New Office Works transforms a former airport precinct into a floating garden at The Cullinan, layering social and serene landscapes across two elevated levels overlooking Victoria Harbour.
The internet never sleeps! Here's the stuff you might have missed
Tamara Veltre, director at Breathe, reflects on the studio’s collaboration with Haymes Paint — a deliberately reduced, architect-designed palette that reframes colour as part of architecture, not an afterthought.
Gold Coast-based photographer Tanika Blair brings an interior design eye to her work, capturing architecture through light, feeling and a strong sense of story.