LZF is shining its light across the globe. By Stephen Lacey.
March 3rd, 2014
Above: LZF installation, New York
If you ever get to Valencia and are invited to a ‘high-fidelity’ dinner with Sandro Tothill, his wife and partner Marivi Calvo and their team from LZF, don’t pass it up. You’ll be wined and dined around a gargantuan table, enjoy flame cooked paella, guzzle local rioja, while listening to the groovy jazz chill-out music that LZF commissioned for their 2013 lighting collection.
You’ll also be sitting beneath the incredibly glamorous candelabro that Calvo designed as a centrepiece for such an occasion. Like many of LZF’s products it started out as a work of art, comprising 15 individual lamps and 10 ceramic humming birds.
It’s been a long journey for the duo who kicked off the company (originally as Luzifer) back in 1994. The first lamps were simple upright hand-painted wood tubes that Calvo, an artist, designed. The couple hired a stand at the Madrid Gift Fair to sell their wares and enjoyed their first big break when a buyer for a hotel project in Mallorca saw the lamps and ordered 700 units.
Nowadays LZF lamps appear in private homes and major buildings throughout the world, from the Sony Centre in Berlin, to the Metropol in Barcelona. Recently the company has been doing a lot of interesting projects in the USA, including Google Headquarters, Harvard University Library and Microsoft California.
The secret of LZF’s success is undoubtedly the use of quality veneers made from tulipwood (a type of poplar sourced from FSC forests in the Eastern USA). “I still believe that veneer is the best light diffusion material available,” says Tothill.
Every LZF lamp is designed in-house and assembled by hand at LZFs factory (an old winery) in the little village of Chiva on the outskirts of Valencia.
One of the company’s highlights last year was the Red Dot Award-Winning High-Fidelity campaign, drawing on Tothill’s background as a musician and Calvo’s background in fine arts. Inspired by 50s jazz and album graphics, the campaign saw the release of a CD with tracks composed by Rithma (Etienne Stehelin) and named after each of the lamps in the collection. Winning the award was a major coup, considering the competition included the likes of Audi, Coca Cola and Mercedes Benz.
A recent development is the option of remote control on/off/dimming, to do away with the complicated process of installing convoluted switches and wiring. This they call democratizing domotics.
As for the lights themselves, Tothill says he has favourites for different situations.
“I love the Poppy for the retro mid-century feel,” he says. “I love the Spiro for the beautiful speckled texture that’s created by the light coming through the wood. And the Cuad is an expression in aesthetic simplicity, pure elegance. But it’s hard to go past the Candelabro when it comes to sheer extravagance.”
As for the future, LZF will be launching their Funny Farm campaign at Milan in 2015 (you heard it here first). The collection will comprise 60s-style timber lamp bases produced from the stylised form of cute animals. Accompanying the lamps will be a range of 15 wooden animals that you can collect and display.
“We like to have some fun,” says Tothill. “Design can be so damn serious.”
LZF is available in Australia from Ke-Zu.
kezu.com.au
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Bidding farewell to mundane and uninspired office spaces, colour has transformed our workplaces into layered and engaging environments. So we sit down with Karina Simpson, Hot Black’s Workplace Lead, to talk about the influence colour has on the workspace landscape through the prism of Herman Miller’s progressive colour philosophy.
Australia’s leading producer of solid-engineered oak flooring has recently launched a new suite of innovative resources to support creativity and ambition in the architecture and design community.
Join us behind the scenes with V-ZUG’s in-house design team, and discover how this Swiss boutique kitchen manufacturer balances art, science and history to create its pioneering Excellence line.
The workplace has changed – and it will continue to evolve. With dynamism at the heart of clients’ requirements, architects and designers at leading practices such as Elenberg Fraser are using and recommending Herman Miller’s OE1 products for the future workplace.
A new interior design course at the University of Tasmania offers students real-life practice in designing with the environment in mind.
If the last months have proved anything it is that social interaction and connectivity are vital to our well being. Finding a place to meet or a space to interact is proving to be the vital chain in the link to a normal life and it also helps to unite us in the changing world of today.
The internet never sleeps! Here's the stuff you might have missed
A Japanese restaurant experience like no other: Kelly Ross has delved into Japanese folklore to respond to the incredible cuisine of hatted chef Nobuyuki Ura.
How does Domenic Alvaro oversee a project from start to finish? Timothy Alouani-Roby met with the Woods Bagot director and global design leader to find out why editors make the best architects and architects the best editors.