The annual trade fair took place in Bologna towards the end of last year. It’s much more than just a convention on construction materials, so what are the latest trends for designers to keep pace with?
January 19th, 2023
As a major international exhibition, Cersaie sees some heavy hitters coming together across the design world. In previous years, architects such as Glenn Murcutt and Renzo Piano have engaged in discussions there while important brands across interior design and product manufacturing are always in attendance.
If international events can sometimes feel distant and perhaps Eurocentric from all the way Down Under, one of the key takeaways for designers should in fact be a preliminary reminder: the trends are as applicable here as anywhere. As a predominantly immigrant country with people from all over the world, modern Australia should be open and ready to embrace design inspired from all kinds of sources.
So, what is happening at the cutting edge? Well, colour for a start – lots of it! The zenith of austere modernist minimalism is not upon us but rather a plethora of pastel colours seem to be catching all sorts of attention.
It’s a prime example of international fluidity. Pastel colours of course feel at home in the Mediterranean but surely the (mostly) blue skies of Sydney also make for a suitable fit. Elsewhere, floral and large format tile patterns were prominent across the fair. The innovation and development is taking place in relation to those tile sizes, with smaller ones fading away.
Related: The best of Orgatec 2022
This brings us to a notable tendency emerging across the design world. Natural stone looks are growing in significance and repute. Sydney’s Kaolin Tiles was in attendance to observe, learn and compare. It’s a company that is already bringing some of those trends to the Australian market.
Innovation is taking place at a rapid rate in this space. Natural stone looks are providing closer and better quality reproductions and improved connectivity through vein-matching finishes, for example. The small details matter here and one point to look out for is the technology that completes the stone texture look in profile by wrapping the vein patterns around the side, a traditional marker of quality in natural stone.
Cersaie and other gatherings can help to change perceptions, as is the case with Kaolin. By tapping into a millennia-old tradition of Chinese ceramics, tile manufacturers are producing a product with its own intrinsic value and rich history. Furthermore, natural stone-look porcelain tiles are likely to be a more sustainable option; after all, the marble doesn’t exactly grow back.
Versatility, however, is what really makes these tiles stand out. They can be designed with different sizes and patterns, fitting nicely with the Cersaie trends described above. Gloss or matte finishes are possible as well as extensive variation in texture.
Cersaie will be back in September 2023, a chance for more designers to travel to Europe and hear about what’s happening in design. The only certainties are that more trends will emerge and that it’s all on the table for architects and interior designers in Australia.
Courtesy of Kaolin
We think you might also like this story on Kaolin Tiles.
Keep up to date with the latest and greatest from our industry BFF's!
According to Le Corbusier, the struggle for it underpins the history of architecture. Frank Lloyd Wright described it as a “beautifier of buildings”. And Motoko Ishii famously equated it to life itself. Indispensable, life-affirming and metamorphic, light underpins all architectural and design efforts.
Living Edge definitely has the edge when it comes to supplying furniture for the education sector. With a plethora of brands and collections at their fingertips, Living Edge provides the perfect solution for any learning environment.
Natural forms meet technological sophistication to produce GH Commercial’s Pattern Perfect® Native Collection of carpets. Step inside the factory to see how local flavours inform the design.
Whether it’s enhancing the sculptural volumes of the Cass Bay House, or creating a Piet Mondrian-like geometrical feature across the Pegasus Bay’s Esplanade Home, Neolith helps Massimiliano Capocaccia Architecture Studio augment the imaginative language of these coastal dwellings.
Silver sheen and punchy orange – we can’t get enough of Alexander Lotersztain’s new retail fit-out P.S. He calls it ‘futuresque’, but it will patina over time.
Champions of innovation in the bathroom, Stormtech specialises in drainage which is seamless, sophisticated and oh-so functional. It has now released its first aluminium grate.
As one of Australia’s most specialised lighting designers, Jenni Gillard of Gillard Group has lit fish, artwork, Ovolo eggs, places of worship and more. She shares the maths, science and creativity behind her craft.
The internet never sleeps! Here's the stuff you might have missed
One of Europe’s leading manufacturers in contract furniture is now available Down Under.
Taking the art of storytelling as his starting point, curator David Williams has drawn together works from Judith Neilson’s private collection for the latest exhibition at White Rabbit Gallery. Shuo Shu runs until May 14th.
While Perth’s Studio Roam chooses to stay consciously small in practice, its vision is big, and its joint ventures lead to even larger outcomes.
This collaborative project — designed by Grimshaw alongside Carr as collaborating interior designers, Mirvac, Suntan REIT and anchor tenant Deloitte — is winning awards left, right and centre. Welcome to the cutting-edge workplace.