In this new edition of The Indesign Edit, the founding and managing director of CULT, Richard Munao speaks about the importance of great design within the home-workplace as we take a look at the brand’s extraordinary offering of iconic furniture pieces.
May 31st, 2021
As we continue to explore the most efficient ways to navigate our new hybrid workplace, it’s safe to say that the workspaces of the future are looking promising. For many, the slow transition back into the office has started, igniting inspiration once again to refresh and renew our current home setups.
For those that want the ultimate working from home experience, the team at CULT offers a curated list of products to inspire the design community to level up their home office, once again.
With an unrivalled expertise in creating inspiring, comfortable and functional spaces, CULT believes that your WFH routine deserves the absolute best on a daily basis. We are constantly challenged to create offices in small spaces, with multifunctional furniture, and in such a way that the distinction between working from home and being home from work remains clear enough to support both routines.
In this new issue of The Indesign Edit, CULT offers a multitude of solutions that bridge the gap between home and the office – ensuring that the everyday employee gets the best of both worlds.
Product-led and editorially curated, the Indesign Edit offers a unique perspective on the exceptional designers and brands across the Into-Pacific region and beyond. Dive in and experience a new narrative of working from home with CULT on The Edit.
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True luxury strikes a balance between glamorous aesthetics and tactile pleasure, creating spaces rich in sensory delights to enhance the experience of daily life.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
As Snøhetta marks ten years of permanent presence in Australia, co-founder Kjetil Trædal Thorsen reflects on Country, civic generosity, regenerative design and why architecture must keep imagining “memories of the future.”
At r.a.g.e Hot Glass Studio, the glass artist and furniture designer will trace the making of two sculptural wall sconces through live glassblowing, discussion and process-led collaboration.
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At Materia, Maurie Novak tests Passivhaus against an expressive architectural brief, using his own St Kilda home to question what high-performance housing can look like.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.