September 21st, 2009


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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Natalya Hughes latest collection of work deconstructs, reconfigures and rewrites figurative images to form partially abstracted and highly patterned psychological worlds. Working broadly across painting, print, animation and installation, Hughes conflates the boundaries between beauty and the grotesque, realism and abstraction.
The internet never sleeps! Here's the stuff you might have missed
As a significant renewal of an established social housing project, JPW’s recently completed Cowper Street Housing in Glebe, Sydney aims to bring sustainable and community-focused density to an inner city suburb.
Hosted at Savage Design in Sydney, the first Indesign Social Club brought emerging architects and designers together for a smaller, more open conversation on participation, making and the future of practice.