March 28th, 2011


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Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
We’re definitely at the forefront of workplace transformation, but throughout Asia Pacific the workplace revolution is coming full force. We chat to CBS about the changing face of work in our region.
Japan has produced half a dozen Pritzker Prize-winning architects. Design is in the blood. But who is the next generation of design talent from this country – we take a look at the names you should know now and enjoy the beauty of the work they’re producing.
The internet never sleeps! Here's the stuff you might have missed
As a significant renewal of an established social housing project, JPW’s recently completed Cowper Street Housing in Glebe, Sydney aims to bring sustainable and community-focused density to an inner city suburb.
At Machine Hall, Herman Miller gathered Sydney’s design community to consider performance seating as part of workplace strategy, not just workplace furniture.
For Libertine Parfumerie’s new Armadale boutique, Tamsin Johnson looked to the warmth of the home and the rhythm of old-world shopfronts to make fragrance retail feel slower, richer and more personal.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.