The winners of the Queensland Architecture Awards have been announced, giving us a pretty impressive snapshot of Queensland’s architectural flair.

Muttaburrasaurus Interpretation Centre, Photo by Lisa Alexander
June 30th, 2022
Last Friday, the winners of the Queensland Architecture Awards were announced, and more than 70 projects have been honoured through 11 categories.
While it is hard to categorise every design, build and final facade, the motifs of Queensland’s architecture carry a resounding message. That message comes through the landscape and its society, as Queensland is an inherently rural and open yet close-knit and proud state.
Across winners, shortlisted applicants and all entrants, the common thread lies in each project unanimously fitting into their surrounding landscape. The winning design for the FDG Stanley Award for Public Architecture, Muttaburrasaurus Interpretation Centre by Brian Hooper Architect, reflects this and the natural environment around it.

Remarkable gabion walls built from local stone rise to the lightweight roof, which is a floating orb structure that invites in light, air, and the landscape. And in the geographical heart of Queensland, the centre is reflective of its connections to the land’s past. The jury praised the centre, observing that the building “rises from the landscape as though it was always part of the town’s story”.


Muttaburrasaurus Interpretation Centre, photography by Lisa Alexander.
The Queensland Architecture Awards are the epitome of what architecture in the state can be. And like the Muttaburrasaurus Interpretation Centre, there is a distinct flair to the quality, responsible and sustainable design that is expected in Australia.
The most outstanding achievement of that goes to The Andrew N. Liveris Building by Lyons and m3architecture, which won the Queensland Medallion – the highest honour of the Queensland Architecture Awards.

As Lyons founding director, Carey Lyon, says, “In the current cultural and political environment, everyone understands how important it is to keep supporting the knowledge economy. This building promotes a sense of discovery and curiosity for all participants.”



Andrew N Liveris Building, photography by Christopher Frederick Jones.
The Andrew N. Liveris Building is the height of design excellence and thinking. But it also represents our society’s environment, community and growth in tangible ways in this ever-changing world, as does all architecture represented by this award.
Brian Hooper Architect
brianhooper.com.au
m3architecture
m3architecture.com.au
We think you might like this article about the winner of Saturday Indesigns “The Project”.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
For Mutual Trust’s Adelaide workplace, Woods Bagot drew on the idea of a stately family home to create an interior shaped by legacy and ease.
FK hosted a standout Melbourne Design Week event with a panel on adaptive reuse and renewable real estate at 500 Bourke, featuring previous contributor Nicky Drobis and our editor as moderator.
The internet never sleeps! Here's the stuff you might have missed
Powerhouse Parramatta has commissioned more than 50 leading designers from across Australia to shape the spaces and experiences of the new museum, including public, exhibition, restaurant and retail spaces.
At Salone del Mobile 2026, Catalan designer Eugeni Quitllet launched Libre, a new seating collection with Pedrali that focuses on form, function and ergonomics.