An oasis within a shopping centre, Groom Spa presents as a familiar place; warm and relaxing. This first design from PintoTuncer has garnered them much praise
January 7th, 2013
When PintoTuncer was announced the winner of the Retail Design Award 2012 for Groom Spa Westfield Southland in Cheltenham Victoria, no one was more surprised than Gerard Pinto and Ilker Tuncer.
Groom Spa was the Melbourne-based architects’ first built project together since forming their partnership in 2011.

The award, an initiative of the Retail Design Institute and proudly sponsored by ASOFIA, recognises the best creative use of a retail space.
“We’d never done a project like this before,” Gerard said. “We were starting from scratch, taking a new approach and not coming to it with any baggage.”

The brief from their client was clear about one thing. The spa would not be “sterile and white”.
Ilker said their client wanted “a departure from the standard day spa” that would appeal to both men and women.

“They had an idea of what they wanted in the space, a feeling of homeliness,” he said. “It had to be inviting, friendly and warm – like going to a friend’s house.”
Gerard added: “We wanted it to feel a bit like an oasis in a shopping centre. You do the shopping and go in there to relax. It’s a space that’s warm and welcoming.”

To this end, the pair created an eclectic space using salvaged timber and found items juxtaposed with silk, brass and other “hints of glamour and sophistication”.
The experience for the customer starts at the glass-and-steel shopfront, with delicate timberwork signage and two glass-encased promotional boxes either side of the horizontal steel framed door with brass handles. One contains a large promotional poster and the other a ‘treatment menu’ with roaming plant alongside.

Once inside the capacious space the mood is “playful and interspersed with little things that start conversations”, Gerard said. A large timber wall features snippets of history and nostalgia, including a bag rack sourced from a primary school.
Sleek compact TVs are affixed to the wall and abundant cupboard space sits underneath a timber bench that runs its length.

The facing wall is the retail zone, where merchandise is strategically positioned on steel-framed shelving.
“There’s a plinth across the wall that’s brightly lit like a beacon,” Gerard said.

The rest of the lighting throughout the spa is ambient, moody or task specific.
The two retail counters with edgegrain plywood tops have a clean, neutral feel.

The space is populated by all the comforts of home: a row of off-white leather pedicure armchairs, patterned scatter cushions and footstools, a communal table with found chairs that have been repainted and re-upholstered. An espresso machine and mini bar are tucked into the corner.
A big window located at the back of the public space offers a view into one of the spa’s treatment rooms.
“It’s a little bit of a voyeuristic experience,” Gerard joked.

Ilker said: “The idea is that when the room’s not in use you can see a scenic composition of a massage bed and shower set against a beautiful salvaged timber-panelled wall.”
Gerard, 33, and Ilker, 34, are thrilled to have received such high praise from their peers at the Sydney/Melbourne chapter of the Retail Design Institute. They’re hopeful that Groom Spa will gain further accolades at the Retail Design Institute International Store Design Awards to be announced in New York on January 14.
PintoTuncer
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Nendo showcased 16 delightful exhibits that play with the concept of outlines and blurred boundaries in its solo exhibition Invisible Outlines.
The integration of art into commercial design and architecture projects can leave a visceral impact. We speak to an art consultant and an art dealer to get an insight on how designers can get the best results for their commercial projects.
Celebrated Australian designer and artist Robert Foster has passed away at age 53. Here we remember one of our design luminaries and some of his most inspired work, including the iconic FINK jug.
Gaggenau and Comme came together on Friday 11 March to transform Melbourne’s Alfred Place into a Parisian-style laneway as part of the Melbourne Food and Wine Festival – complete with a sizzling gourmet cook-off. Chef Daniel Southern demonstrated his flambé skills on Gaggenau’s Vario series cooktops.
The internet never sleeps! Here's the stuff you might have missed
Tamara Veltre, director at Breathe, reflects on the studio’s collaboration with Haymes Paint — a deliberately reduced, architect-designed palette that reframes colour as part of architecture, not an afterthought.
Presented by Woven Image