We want to give you what you want. So tell us! Do you want more international content? More interviews? More visuals? More videos? More opinions pieces? Think we should have a forum? Do you find the site easy to navigate? Think we should change the layout? If you have ideas or feedback, we want to […]
March 7th, 2008
We want to give you what you want. So tell us!
Do you want more international content?
More interviews? More visuals? More videos?
More opinions pieces? Think we should have a forum?
Do you find the site easy to navigate? Think we should change the layout?
If you have ideas or feedback, we want to hear it.
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At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Nate Archer – Canada – DesignBoom Iris Saar Isaacs + Jane Barwick – jewellery + graphic design collaborators David Pidgeon – graphic design Elisabetta Scantamburlo – Italy – art director Horse Bazaar – playing cool digital stuff before and after the presentations James Gardiner – architect Dirk Wynants – Belgium – industrial designer Britt Salt […]
Green Building Councils across the globe unite to fight Climate Change.
The internet never sleeps! Here's the stuff you might have missed
Designed to be touched, picked up and played with, ‘New/Relic’ was a Melbourne Design Week exhibition of every fixture you’ve never thought about twice.