Macquarie Group’s new Sydney premises reveal how we will work in the future. The base building architecture is as radical as the revolutionary interiors.
July 8th, 2010
The Macquarie Bank building at One Shelley Street, King Street Wharf on the western edge of Sydney’s CBD is an unlikely accident.
Dispossessed of the customary rectangular livery, it has been enclosed within a striking white diagonal lattice steel frame unlike anything in Sydney – with the exception of Mario Arnaboldi’s 1976 jewel-like curtain wall for EPT House at 273 Clarence Street.
One Shelley Street’s two vertical slabs of dark glass, the rear one higher, are separated to form a tall atrium over which a handkerchief of glass has been tossed to join them. Instead of the expected grid of vertical columns and horizontal beams marking each floor, the glass envelope is held within a diagonal ‘diagrid’ lattice cage of white aluminium-clad steel beams.
It looks wonderfully maverick and eccentric alongside the other denizens of King Street Wharf. But once the site conditions and constraints are properly understood, it turns out to be a convincing and a logical – even inevitable – solution.
A special 28-page section in Indesign #41, on newsstands now, explores the building and introduces you to the many people behind One Shelley Street.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
2016 marks the return of the Chairity project – with a twist. For the third year, Cult brings together 16 creatives and 16 charities for 16 reinterpreted Officina chairs.
Banco Chambers by Bates Smart is an office fitout quite contrary to the hybrid, open-plan spaces definitive of the contemporary workplace design cliché.
The next Pecha Kucha Night Brisbane will be held on 2 December 2009 at the Turbine Hall, Brisbane Powerhouse. The new PechaKucha Night Global Website has also been launched here: pecha-kucha.org Stay tuned for more info and coverage of the event. Pecha Kuchapecha-kucha.org
The internet never sleeps! Here's the stuff you might have missed
With the launch of the Humanscale M/Class Monitor Arms, Humanscale proposes a different direction: one where workplace technology recedes into the background, allowing movement, posture and spatial clarity precedence.
Sydney’s Klaro Industrial Design treats manufacturing as the place where design intent is protected – offering commercial designers a responsive, original and considered way to specify.