2013 start-up Malaya Blonde is bringing life back into the lighting design industry, and damned if they won’t have fun doing it.
June 11th, 2014
Words by Sophia Watson
“What does an uber lighting design consultancy cost to engage? – We don’t know, because we aren’t one.” In July 2013 veteran designers Sophia Ng and Tamsyn Little launched Malaya Blonde, a lighting design studio focused on pumping some life back into the discipline.
Traditionally a male dominated field, Ng and Little – who between them share over 20 years of experience – are giving the boys a bit of a reality check. Little explains: “We’ve worked with some real diva’s, men who take themselves and lighting way too seriously. Wearing all black and talking about how their designs are ‘life-changing’ – please! Where did all the fun go? We’re not saving lives, but if we can bring a bit of character and fun to people’s environment to make it a bit brighter, than that’s what are job is about.”
Not only are the two breaking the gender barrier, but the sector barrier as well. Having already completed four projects across various sectors, Malaya Blonde is focused on market segments that have “forgotten about lighting.”
“Since we launched we’ve done a few heritage pubs, a leagues club, high-end private residential and commercial office spaces,” says Ng. “Some of these are still ongoing, but so far we have completed four projects. While we’ve been nearing completion with some of our jobs we’ve been spending a lot of time on marketing and winning new tenders.”
“We like to look at areas of the market that have forgotten about lighting,” adds Little. “Aged care is a really great example, because it’s usually approached with this kind of ‘get the cheapest, brightest, crappiest light in there’ without caring about the quality of life, which I think is really sad. Sophia [Ng] and I both agree that the way we run a business is such that projects which haven’t been allocated a lighting budget or has been completely ignored, can still have a considered and budget-sensitive lighting presence.”
MALAYA BLONDE
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
True luxury strikes a balance between glamorous aesthetics and tactile pleasure, creating spaces rich in sensory delights to enhance the experience of daily life.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Iken took over Harmony Park in Surry Hills for Saturday in Design – taking advantage of the beautiful weather to launch new products including the HAG Futu chair. A few spotty dalmatians also charmed the crowds!
KPMG is the latest professional services firm to go officeless and paperless, aided by the obligingly ovoid Rogers Stirk Harbour tower at Barangaroo – and aided by Davenport Campbell who have brought some innovating thinking to the agile model.
The internet never sleeps! Here's the stuff you might have missed
Gold Coast-based photographer Tanika Blair brings an interior design eye to her work, capturing architecture through light, feeling and a strong sense of story.
From indoor-outdoor furniture systems and archival reissues to experimental lighting, circular materials and collectible surfaces, these launches captured Milan Design Week’s broader conversation around comfort, craft, longevity and atmosphere.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Maruni does not rely on signature gestures or visual statements with its elegant timber furniture, but rather reveals itself slowly, through proportion, appreciation for design and a continuity between traditional craftsmanship and contemporary expression.