Issue #33 of Indesign Magazine hit the newstands today! In this issue, Indesign’s editor Paul McGillick takes a look at sustainability grounded in history with the yurt. Assistant editor Penny Craswell finds out more about Australian icon, Breville and Ian Briggs of Plus Architecture talks about new apartment living in Australia. Penny Craswell also meets […]
May 22nd, 2008
Issue #33 of Indesign Magazine hit the newstands today!
In this issue, Indesign’s editor Paul McGillick takes a look at sustainability grounded in history with the yurt. Assistant editor Penny Craswell finds out more about Australian icon, Breville and Ian Briggs of Plus Architecture talks about new apartment living in Australia.
Penny Craswell also meets Asher Bilu amongst the light and shadow of his latest installation, we featuring the award winning Deacons project by the Carr Design Group, Ben Budde re-caps Tokyo Design Week – and that’s just for starters!
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In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
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For Mutual Trust’s Adelaide workplace, Woods Bagot drew on the idea of a stately family home to create an interior shaped by legacy and ease.