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March 12th, 2008
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Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Among Moroso’s novelties at the Salone del Mobile 2017 are two prototypes for a chair with a complex 3D-knitted mesh construction that shows the efficiencies possible with new production techniques.
One of Europe’s leading manufacturers in contract furniture is now available Down Under.
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Twenty years after its founding, Muuto used 3daysofdesign to look beyond the idea of novelty and towards a more reflective future for Scandinavian design.
Woven Image welcomed more than 100 architects and designers to Sydney to celebrate its latest collaboration with Australian artist Ben Goss, exploring how art and colour are shaping contemporary commercial interiors.