With the success of their recent architectural and interior project – the University of Wollongong Early Start Children’s Discovery and Research Centre – Graham Bell Bowman (GBB) Interior Designer, Rene Deoberitz, reflects on the importance of flooring in integrating and connecting the diverse users and purposes of the space.
December 16th, 2015
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Living Edge definitely has the edge when it comes to supplying furniture for the education sector. With a plethora of brands and collections at their fingertips, Living Edge provides the perfect solution for any learning environment.
Bidding farewell to mundane and uninspired office spaces, colour has transformed our workplaces into layered and engaging environments. So we sit down with Karina Simpson, Hot Black’s Workplace Lead, to talk about the influence colour has on the workspace landscape through the prism of Herman Miller’s progressive colour philosophy.
As a leader in diversity and social inclusion, DesignInc hopes to make big changes in the architecture industry by partnering with Western Sydney University on a scholarship supporting an Indigenous Australian student.
With an innovative geometric design, the Sa umbrella redefines the structure and aesthetics of the umbrella, with improved efficiency and recyclability.
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We have all felt it and continue to experience the ramifications of change. It’s in the air and workplace design is at the vanguard of creating new approaches to working. Design leads the way at the 2023 INDE.Awards as the spotlight shines on The Work Space category and a partner who has recently made a historic change on a global scale.
Timothy Alouani-Roby met with Richard Francis-Jones of fjcstudio (formerly fjmtstudio) to discuss his timely, provocative and, quite frankly, necessary book on architecture. In this first part of the book review, we consider the alienation and commodification of the profession, as well as its place in society.
Besotted with the rare and unusual, Imogen Reed has created a tapas restaurant in Sydney’s Potts Point, that feels at once ghostly and opulent.
The idea that the only way is forward isn’t new but it feels particularly current when it comes to the evolution of the commercial workplace. Here, Bradhly Le takes stock of the significant transformation this typography has been going through – and points to adaptable design as one of the essential vehicles for this dynamic shift.