The Heide Museum takes a seat for the launch of a collaboration with cook, Stephanie Alexander.
February 16th, 2009
“There is no plan at the beginning, you just see how it evolves and morphs into other things,” says Melbourne architect and designer Chris Connell. A starting point anyone who’s been faced with a blank page and a pencil can relate to.
Whether most of us could come up with a solution that ticks all the boxes of environmental sustainability, comfort and aesthetics the way his Heide Chair is another matter.
Connell designed the Heide Chair [pictured above] for the soon to be opened café at the Heide Museum of Modern Art.
“It’s durable, lightweight and comfortable,” says Connell. “We chose stainless steel and decided on powder-coating on the seat to introduce colour, so design-wise we’re not re-inventing anything.
“I’d been thinking about doing a chair and thought this would be the perfect vehicle. It’s design meeting art, with a story to it.”
The Museum has joined forces with Stephanie Alexander’s Kitchen Garden Foundation to implement the Next Generation project to foster awareness in the next generation (the iGeneration) in the areas of gardening, growing and enjoying fresh produce and environmental sustainability, using the new café as both focus and outlet to the public.
Not content with being mere objects, the 120 chairs are themselves contributing to the Project’s fundraising where, for $3000, patrons are able to purchase the ‘naming rights’ to a chair for the next 20 years.
Chris Connell’s firm are also responsible for the design of the café, which will complement the existing suite of award-winning buildings by McGlashan & Everist Architects.
Heide Museum of Modern Art
heide.com.au
Chris Connell
chrisconnell.com.au

Sketch of the new Heide Cafe by Chris Connell Architects
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Scroll through the who’s who of product design in 2022. We’ve rounded up the 12 top-ranking designer products from The Object category of INDE.Awards.
The internet never sleeps! Here's the stuff you might have missed
J.AR OFFICE’s hospitality venue in Brisbane strives to create a small oasis of shade and greenery amidst the concrete jungle of the city. Jared Webb tells us more.
With a plethora of talks, installations, exhibitions and happenings responding to this year’s theme (Design The World You Want), the eleven-day festival was the largest to date and arguably the most accomplished since inception.