Conceived by Bjarke Ingels Group (BIG) in partnership with Artemide, the Alphabet of Light is a system of linear and curved lighting modules that enable users to form their own words and shapes.
June 23rd, 2016
How do we create a flexible light that can be installed and used by everyone? How do we create a light that fits any space – small or large? These were questions Danish architectural firm Bjarke Ingels Group (BIG) asked themselves when they embarked on their collaboration with design-oriented Italian lighting manufacturer, Artemide.
The end result of the collaboration is a series of lighting modules that grant users free-play when it comes to composing words or messages with lighting. It is aptly titled Alphabet of Light.
Developed based on the idea of using light as a language to communicate simply and express freely, BIG explored geometrical forms to create a new font that could be translated into lighting components. The anatomy of the new font was broken down into four main modules, straight and curved, alongside six joineries. Precise proportions enable users to mix and match the various components to generate their own content. The simple forms also ensure that users are not limited to alphabets, and may also create straight lines and smooth curves.
Allowing composition freedom, Artemide has made the connection of components seamless. Each part is linked with a concealed electromagnetic joint that does not cause discontinuities or unsightly shadows. The components illuminate strong lighting, maximised in each geometrical body where two LED Strips emit light from opposite ends. Material absorption is minimised, while retaining a comfortable and functional illumination.
Alphabet of Light was first presented at Milan Design Week 2016, as part of an initiative by Artemide to highlight new relations between light, space, man, and the environment.
Artemide is carried in Singapore by Million Lighting.
BIG
big.dk
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
At Salone del Mobile 2026, Catalan designer Eugeni Quitllet launched Libre, a new seating collection with Pedrali that focuses on form, function and ergonomics.
On the occasion of Salone del Mobile 2026, the Opale collection designed by Patrick Jouin for Pedrali expands with two new iterations: a chair and a barstool with armrests.
The internet never sleeps! Here's the stuff you might have missed
Hosted at Savage Design in Sydney, the first Indesign Social Club brought emerging architects and designers together for a smaller, more open conversation on participation, making and the future of practice.
What exactly does a theatre consultant do, and why are they an important part of designing the spaces in which we tell the most dramatic stories? Charcoalblue’s Erin Shepherd tells us more.