The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

Exciting Results As INDE.Awards Entries Come To A Close

We’ve already been overwhelmed with the positive response to INDE.Awards 2019’s call for submission. Here we share the stats and tell you what happens next.

Exciting Results As INDE.Awards Entries Come To A Close

With entries now closed and judging soon to commence, the INDE.Awards is gearing up for its biggest year yet. We are thrilled to report a record-breaking number of entries in 2019, received from across the Indo-Pacific region.

More than 420 entries were submitted into 11 Jury-decided categories, with a recorded 43 per cent increase on entry registrations (year-on-year, 2017-2019).

Awarding the most progressive architecture and design in the Indo-Pacific, this year saw submissions from 14 countries within the region. A record number of entries were received from countries including Australia, New Zealand, Singapore, Hong Kong, India, Vietnam and Thailand.

“We’re really excited to see so many great quality entries from across the region,” says Indesign Media Asia Pacific CEO, Raj Nandan. “As the first and only awards program of its kind in the Indo-Pacific, we provide a large and diverse creative community with a level playing field to celebrate their most progressive and outstanding work,” says Nandan.

“With judging soon to commence, we wish all our INDE.Awards 2019 entrants the very best of luck. It has been our pleasure to connect with you and support you through the entry process and beyond.”

 

Nominees announced – The Luminary & The Prodigy categories

Complementing the INDE.Awards’ 11 Jury-decided categories are two exclusive nominee-only categories, The Luminary and The Prodigy. Each category encompasses four contenders nominated by Indesign Media Asia Pacific’s regional team of Editors.

The Luminary recognises the lifetime achievements and ongoing contributions of an industry icon. Those nominated into The Luminary category have a long-established practice and, through their work, have made a lasting impact on both their local community, as well as their wider profession.

The Prodigy celebrates the industry’s up-and-coming ‘wunderkind’. Devoted to individuals and/or studios within their first five years of business, this category puts the spotlight on trend-setters who take an innovative and experimental approach to architecture and design.

Both The Luminary and The Prodigy calls on the global design community to get involved and vote for their ultimate Luminary and Prodigy via People’s Choice voting.

People’s Choice voting period runs 21 March-1 May, with all INDE.Awards category winners announced at the annual VIP Gala event in Melbourne, 21 June.

 

 

Key dates

22 February
Judging commences

21 March – 1 May
People’s Choice voting open for
The Luminary and The Prodigy categories

30 April
Official Shortlist announced

21 June
Winners announced at Gala event at the Melbourne Museum, purchase tickets here.

The Luminary is proudly supported by Wilkhahn and The Prodigy is proudly supported by Cosentino.

 
 
Lead image: Paramount House Hotel by Breathe Architecture. Photo by Tom Ross.

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

In a different light: The Geelong College’s Belerren Centre designed by Wardle

In a different light: The Geelong College’s Belerren Centre designed by Wardle

The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed