How much fun can you have at an information booth? If it’s been designed as a set of building blocks, quite a lot!

indesignlive.sg
December 4th, 2012
What better way to build excitement and encourage new perceptions than to engage people through play?
Japanese company Mitsui Real Estate Residential recently launched the ‘Waku Waku Water Front’ campaign (with Yomiko Advertising) in Tokyo, which aims to get people all ‘waku waku’ (excited) about the city’s waterfront area.

Waku Waku Station is an information booth linked to the campaign, and also functions as a reception desk for associated ‘treasure hunt’ activities in the area.

Torafu Architects designed the 12.9-square-metre booth, which sits within a shopping mall, as a gigantic piece of play equipment. The aim was encourage family fun as well as the rediscovery of Tokyo’s waterfront charm.


The booth was imagined as a collection of building blocks that have been assembled into walls and a counter. The shapes were inspired by the yachts, boats, houses and buildings in the bay area, and the blocks were assembled in a manner that suggests a stacking process is underway.


Gaps between the blocks are proving irresistible to kids, who are using them as ‘secret’ child-size doorways. The blocks themselves can serve as picture-puzzle boards or cupboards. At the front, the surfaces of two adjacent blocks fold down to become a self-supporting bench.

Building blocks are easily recognisable objects, and evoking them at a larger-than-life scale with bold colours almost guarantees the capturing of attention, if not interaction.
It’s not hard to imagine visitors to Waku Waku Station heading out to the waterfront with treasure hunt maps in hand and a waku waku state of mind.

Waku Waku Station will be in place at Urban Dock LaLaport Toyosu until the end of March 2013. Photos by Daici Ano.
Torafu Architects
torafu.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Simon Scott meets with French designer Joran Briand to learn about his creative evolution, his love of making surfboards, and how he used cutting edge concrete to clad a museum and a football stadium.
The internet never sleeps! Here's the stuff you might have missed
Somewhere in the rush toward efficiency, we lost something beautiful.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.