Drawing on the tradition of this 160 year old winery and incorporating contemporary elements, Grieve Gillett create an atmospheric subterranean dining and tasting area that engages all the senses.
February 20th, 2012
Grieve Gillett were commissioned to create a series of new spaces within Yalumba’s State Heritage-listed main administration building at Angaston in South Australia’s Barossa Valley, in honour of the 160th year of Australia’s oldest family-owned winery.

A new flagship dining and tasting area was to retain the heritage qualities of the original building while creating a clear distinction between the existing fabric and new work.



The underground ’Signature Cellar’ was renovated to create a clearspan function area. The interior was stripped back, the concrete floor refinished and a central row of columns was replaced by a transfer beam, creating a large continuous multi-use space.

An adjacent space, containing what were once open ferment concrete winemaking tanks, provided an opportunity for new use. The two largest tanks were converted into tasting and dining areas.
The Grieve Gillett team maximised these unique spaces and the beauty of their original materials. The concrete tank walls, paraffin wax-sealed with wine stained patina, were retained; new work was added discreetly, including hoop pine plywood ’gondolas’ suspended from the ceiling to conceal light fittings and other amenities and provide a planar overhead element in the 20m long rooms.

New recycled timber floors were installed, stopping short of the tank floors to give the impression of a floating floor and allow for lighting to be concealed under the floor edge, washing up the walls and highlighting their texture.
The result is an ambient space disconnected from the outside world, providing a place with a sole focus on food, wine and sociability.



Grieve Gillett
grievegillett.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Are collaborations between big brands and young designers a way to launch careers? British designer Kit Neale thinks there’s more to it than that…
You can lead your client’s to water, but can you make them drink? Graypuksand’s Heidi Smith details how designers are now not only designing spaces, but lasting, sustainable organisational change.
The internet never sleeps! Here's the stuff you might have missed
A recent Design Talk Series event presented by Royal Oak Floors saw Melbourne-based interior designer, and founder and principal of Mim Design, Miriam Fanning in live conversation with our editor.
At Machine Hall, Herman Miller gathered Sydney’s design community to consider performance seating as part of workplace strategy, not just workplace furniture.