There’s no taking the Gippsland out of the Farmer’s Daughters — a new restaurant on Collins St, Melbourne, by Agents of Architecture.
Melbournians can now enjoy the goods of Gippsland from the comfort of their own CBD, courtesy of Chef Alejandro Saravio and Agents of Architecture. Hailing from the Macedon Ranges of Central Victoria, the multidisciplinary design practice worked in close collaboration with the talented chef to bring to life his vision of sewing a pocket-full of Gippsland, its farmers and producers, into the urban fabric of Melbourne. That pocket — a.k.a. Farmer’s Daughters — is now a pride of place at 80 Collins Street, in Melbourne’s CBD.


Occupying a tight, triangular site, the Farmer’s Daughters design narrative is stitched across three levels. To greet you as you enter on the ground floor from Exhibition Street is a warm and inviting space, softened by custom lighting and a perimeter of curvaceous banquette seating. Open and honest from the outset, the preparation of produce is happening right there for all to see, as an open kitchen turns the theatre of service into the hero here.
Integrated into the street-level floorplate is a delicatessen, stocked to the brim with the Gippsland region’s revered produce, which has been meticulously researched and sourced by Chef Alejandro and team. The interior design by Agents of Architecture offers complements to the Chef’s vision through a fresh, no-nonsense palette of raw finished timber and eucalyptus green. As the palette carries up the central staircase, fine metalwork details and indirect lighting subtly reveal the Farmer’s Daughters’ glamorous side.

Emerging from the stairwell onto the second floor, the aromas of Gippsland’s freshest meat and vegetables sizzling over a campfire await. The lighting and textures are reduced to reserve a mood more suited to a degustation lunch, complete with the region’s finest wine matches. A handsome bar, crafted from reclaimed timber, serves as a standing invite to immerse oneself in the artistry of cooking on open flame. Leading out from the dark timber ceiling that embraces the kitchen and bar, finely hand textured render walls and solid timber tables are counterpointed by rich green upholstered furniture.


The third floor comprises a greenhouse-like terrace, perched between the rising façades of surrounding towers. Bronze steelwork neatly fixed within the existing façade provides a scaffold for a dense array of greenery including a protective hedge of Mountain Pepper and a vertical herb garden servicing the kitchens below.
A third island bar anchors the terrace, shaped as a piece of furniture with crafted stainless steel cocktail stations and beer taps serving regional brews. Carefully integrated lighting and planting with rounded, green hued furniture afford the space a sense of natural relief within the dynamic context of the city.

For AOA, as a team of design practitioners from regional Victorian pastures themselves, the opportunity to bring Farmer’s Daughters to life in central Melbourne has been something of an honour. “We are grateful to have worked with a skilled and passionate client, consultant and management team, who have helped to massage this significant concept into existence,” says the design team. “We are looking forward to future collaborations in making spaces that promote and support regional Victoria.”
And we are looking forward to seeing them.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Cox Architecture’s Remy Chard reminisces about her interstate trip for Saturday Indesign two years ago, writing that such design events can act as catalysts for connection while countering the ‘catch-up trap’.
At a packed awards night in Melbourne, the design community from all corners of the Asia-Pacific region came together to celebrate an incredible range of winners.
The internet never sleeps! Here's the stuff you might have missed
Illiana Jones, a graduate at Sam Crawford Architects, reports back from her recent Byera Hadley Travelling Scholarship on autism-friendly design from London to Cairo.
Presenting a sound and light event in Melbourne’s CBD, Autex Acoustics and DARKON showcased their exemplary products and raised the bar for better design.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.