The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

Breaking Ground at DOK Design Aesthetic Experience Center

The DOK Design Aesthetic Experience Center effectively conveys the practice’s capabilities to clients, drawing on both residential and commercial design to provide a tangible, experiential space.

Breaking Ground at DOK Design Aesthetic Experience Center

Designers often design with the tangibility of space to the forefront, always aiming to impress clients with the palpable experiences of their work, an experience where they can immerse themselves. Visualising a space can be difficult for the non-professional, and the showroom typology seems a favourite for attempting to convey what a designer can achieve. It perhaps offers an answer to the question of why these physical spaces often take their cues from both residential and commercial design styles. More specifically, DOK Design has created an interior which allows their clients to experience firsthand the richness of organic materials, natural light and refined detail in a series of rooms which also includes the designers’ very own studio workspace.

Positioned in Jing’an District, Shanghai, China, you will find the showroom and studio of the eclectic DKO Design. The firm has designed a space around an array of core pillars – namely time, emotion, light and shadow, to name a few. “Our surrounding environment organically establishes a kind of spiritual connection with metaphysical consciousness through various forms, such as spatial constructions, the rendering of specific atmospheres, and the reshaping of tactile surroundings,” says the team at DKO Design.

Set within an original textile factory, the existing framework set the scene for the reconfiguration while also serving as a constraint. The floorplan spans 320 square metres and includes a reception, negotiation room, and multiple displays, namely a living room, various dining rooms, and a tea-time reception hall. “Entering at the east end of the space, the path of circulation mirrors and expands the layout of the interior – its meandering, winding trajectory eventually opening up to a more free, forward movement,” explains the team at DKO Design Architects.

Related: UNStudio and Huawei in China

Upon entry, a solid wall is orientated at the entrance to obscure direct views of the interiors and allows the creative mind to wonder what exists within, inviting visitors to step inside. The layout is formed by the intersection of horizontal and vertical design features, with gaps at its upper and lower portions. “The sculptural carved granite at the bottom of the wall recalls the freedom and exacting craftsmanship of Chinese brushwork, while referencing the natural relationship between mountain peaks and rushing rivers,” says the team at DKO Design Architects.

Within the home displays, furnishings and fixtures imitate the scale of the room. “Here, cabinets of a variety of forms and materials are displayed within, in addition to a flexible arrangement of furniture which presents potential spatial organisations to visitors.” Overhead, the ceiling is set on an incline and echoes the original shape of the roof, maximising headspace while retaining the original skylight and allowing natural light infiltration.

DOK Design

Photography
Lin Cong

Next up: CHAGEE tea bars in China designed by STILL YOUNG.

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed