The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

Creative Combustion or Disciplinary Clash?

Brisbane curator Jay Younger recently unveiled what may be Yayoi Kusama’s largest public artworks yet. Jenna Reed Burns reports.

Creative Combustion or Disciplinary Clash?


BY

December 12th, 2012


Yayoi Kusama‘s ‘Eyes are Singing Out’ is a mural that extends the length of a city block (90 metres) outside the new Supreme and District court building in Brisbane.

Image © John Gollings

It’s already become a destination artwork as it is Kusama’s only permanent artwork on show in Australia and, says curator Jay Younger, it may even be her largest permanent artwork in the world.

Yayoi Kusama

Jenna Reed Burns asked her to expand on why she feels art is integral to architecture.

As a curator and an artist yourself how important is the integration of art and design into architecture?

I think both help the other. What is interesting about the courthouse is that the design director Dr John Hockings of Architectus loves the artwork and sees it as a positive addition to the building. These three artists would never had had this opportunity without the building. Public art provides artists with a professional and creative development opportunity, and it provides the public with a way of seeing art which is really quite different from seeing it in a traditional gallery context.

Image © John Gollings

What is important about commissioning public art?

Artists should not be expected to illustrate a theme. If you ask an acclaimed artist to illustrate or reduce their work to clichéd symbols, this is a big public art failing. The integrity of the artist’s or designer’s work needs to be respected. They are selected on those merits and the integrity of their work is ushered through the process to the final commissioning phase.

Image © John Gollings

All three commissioned artists – Japanese Yayoi Kusama, and Australians Sally Gabori and Gemma Smith – are women, and two (Kusama and Gabori) are octogenarians. Is this unusual?

Most often I imagine it would be mostly male artists and they would be of a certain age and experience level. Demographically and artistically these women bring together three entirely different perspectives which, for me, make a statement about democracy being about difference.

Image © John Gollings

Yayoi Kusama

yayoi-kusama.jp

Jay Younger

jayyounger.com

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed