Cuatro Cuatros’ Trampolín chairs are chameleonic, weightless and stackable.
Produced for Missana, the charming design appears as a gentle rethinking of Mart Stam’s Bauhaus cantilever side chair. The young, Valencia based studio centred their idea on a functional, comfortable and schematic product, with a high contrast between horizontal and vertical perspectives. Its neutral, classic structure appears seamlessly suspended, almost floating.
Trampolín’s range of colourways in fabric and frame means the chair can adopt different moods, and adapt to assorted environments. Of-the-moment copper on soft pink leather is serene and feminine; there is monochromatic black and white, elegant gold and Yves Klein blue, and grey marle against pop bright yellow. Both seat and back covers are removable – meaning Trampolín can quickly translate, and be mixed up and matched to different settings.
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Suitable for applications ranging from schools and retail outlets to computer rooms and X-ray suites, Palettone comes in two varieties and a choice of more than fifty colours.
In the pursuit of an uplifting synergy between the inner world and the surrounding environment, internationally acclaimed Interior Architect and Designer Lorena Gaxiola transform the vibration of the auspicious number ‘8’ into mesmerising artistry alongside the Feltex design team, brought to you by GH Commercial.
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With her design influence extending from the NGV to the Australian Open, Helen Kontouris’ name is unequivocally ingrained in the topography of the Australian design scene. Here, we take a look at the legacy she has created under the LEN brand name, and her consistent commitment to local manufacturing practises.
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