Falper’s Quattro. Zero achieves fine detail in smaller-footprint projects.
November 4th, 2015
It’s a strange design binary that the smaller the space, the more precise the detailing needs to be. When every square centimetre matters, the attention to each and every surface, edge, joint and fixing is paramount. The product needs to be so highly considered that the design works doubly as hard as something more luxurious in size. But this is not always the case.
Bigger projects often mean bigger spaces, bigger products – and bigger budgets. Often, the best research and technical development goes into the feature products that can only be selected for the most high-end (and high-cost-per-square-metre) projects.
Falper’s Quattro. Zero achieves a level of detail that is normally reserved for more specialty products. A 4-millimetre ultra-thin basin profile in the unique Ceramilux material, drip-proof countertops and 45-degree finishes are key features that this compact range offers to smaller-footprint projects.
Regardless of the physical size and budget, each of your projects – and clients – deserves the same level of attention to detail and Quattro.Zero responds to this need for design democracy. It means that there is never a need to compromise on quality or finish – whether you are working with your biggest client, or your smallest, a repeat customer or with someone for the first time.
Furthermore, the range enjoys the benefits of all of Falper’s leading position in the market, with the superior quality and track record that the Italian brand enjoys. Additional features such as push-pull opening cabinets and soft close drawers, handles in metallic chrome and matte white and extensive configuration options make the Quattro.Zero a well-rounded option for your project.
Read the full Quattro Zero story here.
Rogerseller
rogerseller.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Winners of the 2025 Habitus House of the Year and Editor’s Choice Award respectively, Anthony Gill and Jason Gibney join the podcast to discuss the state of housing in Australia today.
With 26 shortlisted homes, a 13-member jury and four standout winners, the 2025 Habitus House of the Year program wrapped up last night in Sydney with Winnings.
The internet never sleeps! Here's the stuff you might have missed
The Sydney-based director of Jason Gibney Design Workshop travelled to Copenhagen for this year’s Scandinavian festival of design, reflecting on what makes the event — and the city — so special.