What happened when Herman Miller tasked the designers at Woods Bagot to reinterpret the iconic Nelson Bubble Lamp to articulate themes of diversity in design…
May 31st, 2021
In reinterpreting the iconic Herman Miller Bubble Lamp to represent themes of diversity and inclusion, Woods Bagot began with an idea of creating a kaleidoscopic effect using colour, shape and movement, which evolved to include Indigenous starscapes and astronomy.
As a global studio, Woods Bagot is no stranger to diversity and often works across multiple continents and cultures. The Sydney office jumped at the chance to work on this project, seeing Herman Miller as a company that aligns with its values of inclusivity. “They design for the good of humankind,” says Woods Bagot Associate Kate Hogan Gillies. “To participate in that and layer our own contribution onto it was very important to us.”
The studio began with the idea of a kaleidoscope, using colours, shapes and movement to represent many cultures coming together. Adding to this a layer of cut-outs representing stars, the project looked to aspects of indigenous astronomy, where the spaces between stars make shapes. Stars are seen as “an enduring permanence in a time of great uncertainty,” says Kate, referencing the ways in which humans across the world have been united by the shared difficulties of recent events.
“It was a really natural design exercise and for us to try to imbue the layers of meaning that we’ve attempted to was quite a natural part of our process,” she says, adding that Woods Bagot appreciates the level of innovation in Herman Miller’s products. “You know they are on the forefront of the things that are important to us on a global level.”
Find out more about Herman Miller’s Purposes and Values.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
At Machine Hall, Herman Miller gathered Sydney’s design community to consider performance seating as part of workplace strategy, not just workplace furniture.
Adelaide Design Week returns in October 2026 with the theme every*one, inviting designers, makers, studios, collectives and creative thinkers to submit expressions of interest.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The internet never sleeps! Here's the stuff you might have missed
Presented by Designer Rugs
J.AR OFFICE’s hospitality venue in Brisbane strives to create a small oasis of shade and greenery amidst the concrete jungle of the city. Jared Webb tells us more.