Defined by a distinctiveness and clarity of form is the Graph chair from Wilkhahn – a conference chair which epitomises flexible comfort and evokes a new kind of workplace chair
August 29th, 2012
Graph is a swivelling conference chair that comes with a four-star base, die-cast aluminium or chrome armrests, a metal seat and back frame, and two backrest heights. All the components that bring an office chair together, right?

Markus Jehs and Jürgen Laub
Yet Graph is one-of-a-kind in its concept and design: its development has engendered a new design and engineering approach which progressively re-interprets the classical values of a conference chair.
Industrial designers Markus Jehs and Jürgen Laub, who conceived the Graph for Wilkhahn, describe the conference chair as being the “perfect balance between aesthetics and engineering.”

The graphical quality of its shape is the first eye-catcher, with its organic seat shell which has been cut through horizontally and vertically, then modified and re-assembled. The result is a fluid yet streamlined form that offers superlative comfort.
Likening Graph to a Porsche 911’s unique combination of form and function, Laub says, “There’s the feeling when you sit in it, the haptics and the smell of fine leather – we were able to achieve this in Graph too.”

“In this respect, Graph can really be compared with a stylish car. After all, in conference rooms it’s about comfort and a feeling of assurance, but also about status and self-confidence,” says Jehs.
The horizontally, vertically cut seat shell eliminates the need for a crossover point between seat and back. This form also changes the structure, so the armrests become the central connecting nodes. It’s an open frame approach, which not only allows seat and backrest to be connected in, but creates a modular structure that make future models easy to create.

Expert engineering created a seamless appearance with concealed force- and form-fit connectors, and surfaces carefully treated in a natural or bright chromium-plated finish.
“In Graph’s case, we were always able to find a solution that provided a perfect balance between aesthetics and engineering,” says Jehs and Laub. “In the end the result is exactly what we dreamt at the beginning.”

Wilkhahn
wilkhahn.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
The Dutch company bloom Holland BV exists of a small team of designers, whose aim it is to put everyday objects in a new perspective.
The internet never sleeps! Here's the stuff you might have missed
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
After two decades of creative partnership, Kim Colin and Sam Hecht of Industrial Facility step into a joint role as Herman Miller’s Global Creative Directors – a reminder that the brand’s ethos isn’t defined solely by their products, but also by the quiet thread of thought that shapes the space in-between, crafting a purposeful, human-centric and enduring trajectory.