A The Font Clock is a 21st Century take on the British 24 hour clock design icon.
January 20th, 2010
Twelve different fonts are printed within the mechanism of the clock providing a random, mixed display of graphic language within a single timepiece.
“The essence of the idea is the twelve fonts, all chosen for their design strength and individuality and all of which are twentieth century apart from one, an English 18th Century script, in theory , at given points within the annual time cycle, all the fonts will run together for 5 minutes.” Sebastian Wrong
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
BVN’s Esme Banks Marr regales us with highlights from BVN’s WorkPOP speaker series at Clerkenwell Design Week. Topics included leadership, culture, and [in]differences.
Woods Bagot has completed the refurbishment of its Sydney studio, delivering a purpose-built creative environment designed to reflect a collaborative culture and signature design thinking.
The internet never sleeps! Here's the stuff you might have missed
At Salone del Mobile 2026, Catalan designer Eugeni Quitllet launched Libre, a new seating collection with Pedrali that focuses on form, function and ergonomics.
Powerhouse Parramatta has commissioned more than 50 leading designers from across Australia to shape the spaces and experiences of the new museum, including public, exhibition, restaurant and retail spaces.