The Prodigy, sponsored by Cosentino, is the INDE.Award honouring the emerging creative who sparks trends and thinks differently; whose work pushes the boundary of design.
Forward-thinking and compassionate, Cosentino Group is a leader in accentuating the inherent sophistication of spaces. We’ve been thrilled to have partnered with Cosentino for the 2017 INDE.Awards Prodigy award, and cannot wait to reveal who’s taking home that title.
Largely due to its staggering investment in research and development, Cosentino Group has succeeded in revolutionising the worlds of architecture and design on a global scale, and we can think of no one better to represent the face of a prodigal talent going forward.
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In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
From indoor-outdoor furniture systems and archival reissues to experimental lighting, circular materials and collectible surfaces, these launches captured Milan Design Week’s broader conversation around comfort, craft, longevity and atmosphere.
Guests joined Cosentino for a behind-the-scenes look at The Block homes, discovering new materials and creative partnerships.
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Interior architecture needs to shape a balance between the energy of collaboration and the facility for focused concentration.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.