Brisbane artist Mandy Ridley brings new life to the city’s Busway Project.
October 8th, 2009
You wouldn’t think it, but it was a 70-year-old wall in Herston, Brisbane, which was the inspiration for Mandy Ridley’s beautiful roadside installation entitled ‘Anonymous’ – a collaboration with Urban Art Projects.
The historic porphyry wall boundaries the Royal Brisbane Women’s Hospital (RBWH) and is the central focus for Ridley’s work, which stretches for more than 100 metres.
Ridley describes the project as a “multi-disciplinary” exercise. “We had weekly meetings with architects, clients, heritage personnel and more, problem-solving to implement my vision for the project,” she says.
Set across a series of six bays, ‘Anonymous’ reflects the local region’s history through vivid imagery, such as the ornate lettering which has been laser-cut from aluminium and anodised into a lustrous golden “burnt orange” hue.
The elaborate letters comes together to spell the names of dozens of donors, drawn from RBWH’s donor boards. These form the backdrop to six images, each of which “symbolise key themes which have impacted the hospital and surrounding region’s history”.
An archway reflects the arched entrance to Bowen Park; a silhouette of three local nurses (drawn from State Library archives) references the long hospital history; even the Brisbane Refidex (dated 1924) makes an appearance! And, thanks to HASSELL project architect Robert Keen, the artwork has been seamlessly integrated into the site.
Ridley is well known for her public installations, which can be found across Australia. While ‘Flow’ (2009) – a laser-cut, powdercoated aluminium surface commissioned for the Darwin City Waterfront Project – has been one of her largest to date, ‘Anonymous’ (as Ridley describes it) has been the most “ambitious”.
Drivers-by can see ‘Anonymous’ as they cruise down Bowen Bridge Road, adjacent to the new Northern Busway.
Client: Inner Northern Busway Alliance
Fabrication, Installation and Consultancy: Daniel Clifford of Urban Art Projects
Project Management: Project Services Public Art Unit
Mandy Ridley
(61) 402 719 048
mandyridley.com
Photo Credit: Rod Buchholz
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Within the intimate confines of compact living, where space is at a premium, efficiency is critical and dining out often trumps home cooking, Gaggenau’s 400 Series Culinary Drawer proves that limited space can, in fact, unlock unlimited culinary possibilities.
To honour Chef James Won’s appointment as Gaggenau’s first Malaysian Culinary Partner, we asked the gastronomic luminaire about parallels between Gaggenau’s ethos and his own practice, his multidimensional vision of Modern Malaysian – and how his early experiences of KFC’s accessible, bold flavours influenced his concept of fine dining.
In design, the concept of absence is particularly powerful – it’s the abundant potential of deliberate non-presence that amplifies the impact of what is. And it is this realm of sophisticated subtraction that Gaggenau’s Dishwasher 400 Series so generously – and quietly – occupies.
“It’s the only way to go in our attempt to stave off climate change,” says architect and accredited leader in energy and environmental design, Nadine Samaha.
Handmade elegance combined with German precision available exclusively in Australia from Special Lights.
The internet never sleeps! Here's the stuff you might have missed
So many product launches – where to begin with Milan? Well, across some of our favourite brands and all kinds of areas, here are some of the highlights we saw this year.
Stephen McGarry redefines architecture as an emotive and contextual artform, blending storytelling, material sensitivity, and cultural memory in his shortlisted Bruce Street project.