Hong Kong-based designer and consummate cosmopolitan, JJ Acuna of Bespoke Studio, muses on the changing face of hospitality and design across Asia Pacific.

JJ Acuna, courtesy of Bespoke Studio.
January 6th, 2022
In our recent issue of Indesign magazine, #84, we caught up with the Hong Kong-based designer JJ Acuna of Bespoke Studio. Writer Sandra Tan asked him four simple – yet loaded – questions about the changing face of hospitality and design across the Asia Pacific. Here is what he had to say.
What are the origins of Bespoke Studio?
JJ Acuna: I was a director at a Hong Kong architecture firm, and after a decade of corporate projects in mainland China, took a year’s sabbatical. In that time, I designed three restaurants for friends and found it a very soulful experience. It was so cathartic to see people enjoying smaller, more personal spaces I’d made – and each made it into international magazines! So then I began my studio in 2015.

What keeps you busy these days?
JJ Acuna: Aside from some great new restaurants opening in Tokyo, Macau and Manila, we’re seeing a boom in residential work. Since no one’s travelling, people are reassessing their space. I think those who enjoy our restaurants become curious about how that lifestyle perspective might translate at home. It’s a real fusion of design programming for this generation of clientele.

How has COVID-19 impacted local design and hospitality?
JJ Acuna: The food scene is still going strong. In Hong Kong, no matter how dangerous COVID-19 is, or protests are, people will forever be sociable. We can’t invite friends home to our tiny flats, so bars and restaurants are here to stay. Design-wise, we’re moving away from fixed features like booths, providing loose seating options instead so venues can observe proper social distancing.

How have you navigated the pandemic pause of 2020 and 2021?
JJ Acuna: Well we’ve just finished a hotel for Four Seasons Macau entirely through conference calls! I used to fly once a month for work whereas now I question, is this travel necessary? Working remotely is kinder to the environment, but there’s no substitute for experiencing context in person. Designers rely on serendipity to create.






JJ Acuna / Bespoke Studio
jjabespoke.com
This interview was published in July 2021, in Indesign #84. Purchase your copy of the issue in print, or download the digital issue.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Joyce Wang Studio transforms Sha Tin Racecourse into Genso, a retrofuturist dining and entertainment world with a cinematic atmosphere.
Where East Meets West and where leading commercial galleries connect with global audiences in an energetic week of sales, conversations, programmes and cultural exchange.
The internet never sleeps! Here's the stuff you might have missed
As Snøhetta marks ten years of permanent presence in Australia, co-founder Kjetil Trædal Thorsen reflects on Country, civic generosity, regenerative design and why architecture must keep imagining “memories of the future.”
Recently in Australia as plans for the first new cathedral in over a century in Sydney were announced, Níall McLaughlin met Timothy Alouani-Roby during his visit to discuss community, tradition, inspiration and the history of architecture.