100% Design is primarily open to design industry professionals, with public visitors able to visit on the Sunday only.
Registering for your 100% Design entry badge allows access to dedicated areas 100% Futures and 100% Light, as well as co-locat
100% Design is primarily open to design industry professionals, with public visitors able to visit on the Sunday only.
Registering for your 100% Design entry badge allows access to dedicated areas 100% Futures and 100% Light, as well as co-locat
April 4th, 2011
100% Design is primarily open to design industry professionals, with public visitors able to visit on the Sunday only.
Registering for your 100% Design entry badge allows access to dedicated areas 100% Futures and 100% Light, as well as co-locat
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The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Family owned and imbued with a sense of designer pride, the history of James Richardson Furniture is one driven by integrity, and exemplifying the story of Australia’s interest in design.
In the 26th year of the Dulux Colour Awards, the prize winners once again showcase the impact of colour in design.
The internet never sleeps! Here's the stuff you might have missed
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Following a design pilgrimage through Copenhagen, Stockholm and Finland, FK’s Nicky Drobis reflects on 3daysofdesign, the work of Aino and Alvar Aalto, and why great design begins and ends with people.