On the 9th of December a VIP event was organised by Porcelanosa Studio to launch the Penthouse suite at the architecturally renowned Eliza building. Speaking at the event was Tony Owen, followed by a creative tour of the space. Here are the happy faces from the night.
January 8th, 2015
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The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
JCU’s new research hub prompts Woods Bagot and RPA Architects to explore what it means to be in the tropics.
Design giant Minotti and German leather masters Walter Knoll were the standouts in halls five and seven, with Gervasoni, Living Divani and Thonet also presenting excellent new offerings.
The internet never sleeps! Here's the stuff you might have missed
After two decades of creative partnership, Kim Colin and Sam Hecht of Industrial Facility step into a joint role as Herman Miller’s Global Creative Directors – a reminder that the brand’s ethos isn’t defined solely by their products, but also by the quiet thread of thought that shapes the space in-between, crafting a purposeful, human-centric and enduring trajectory.
Designed to be touched, picked up and played with, ‘New/Relic’ was a Melbourne Design Week exhibition of every fixture you’ve never thought about twice.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.