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Brisbane Indesign

Brisbane Indesign 2008 was another successful and beautiful Queensland day. Check out all the action from the day here.

Brisbane Indesign

BY

September 24th, 2008

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Conservatory Awnings – Warema

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Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair
Indesign

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Dale O’Brien on sitting easy with Herman Miller’s Verus Chair
Indesign

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Alex Bain on finding his anchor in Herman Miller’s Aeron Chair
Indesign

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Dipped in integrity: The profound depth of Aeron Chair’s extended palette
Indesign

Dipped in integrity: The profound depth of Aeron Chair’s extended palette

Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.

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