Former INDE Luminary LeAmon joins the Design Institute of Australia (DIA) following more than a decade as the inaugural Curator of Contemporary Design and Architecture at the National Gallery of Victoria (NGV).

Photo by Selina Ou.
November 28th, 2025
Following her role at the NGV, Simone LeAmon’s appointment as new DIA CEO signals a bold new moment for the organisation – and for the future of Australian design. During her tenure at the NGV, she forged partnerships across industry, government and cultural organisations, creating nationally significant platforms that advanced designers, strengthened design’s economic and cultural contribution, and elevated its visibility within public life.
“Simone embodies the spirit and ambition of Australian design,” says Ryan Russell, President of the Design Institute of Australia. “Her career has been defined by creativity, intellect and vision – qualities that sit at the heart of the DIA’s mission. As the country’s peak body for design, we are committed to advocating for the profession at a national level, strengthening its impact and amplifying the role designers play in shaping Australia’s future. We are delighted to welcome Simone as CEO and look forward to the leadership, energy and clarity of purpose she brings to the organisation.”
Prior to joining the NGV, Simone built a career grounded in practice, delivering commercial and creative projects across furniture, product, jewellery, interiors, digital and experimental design. She has worked in her design studios n+1 equals and Simone LeAmon Design and Creative Strategy, while also holding a Bachelor of Fine Art from the Victorian College of the Arts, University of Melbourne and a Master of Design (Industrial Design) from RMIT University.

Over this period of vast experience, Simone has become one of Australia’s most respected design thinkers, an Adjunct Professor in the College of Design and Social Context at RMIT University, a mentor to emerging practitioners, and an advisor to government and industry contributing to national design discourse and policy. In 2023, she was recognised as an Indesign Luminary as part of the INDE.Awards.
“I’m honoured to lead the Design Institute of Australia and to continue its extraordinary legacy as the voice of design in this country,” says Simone LeAmon. “My vision is to place design at the centre of Australia’s national conversation—to make it seen, valued and invested in as essential to our prosperity, identity and future. The DIA will be the catalyst for that culture, uniting designers of every discipline and amplifying the impact of what we do.”
Under the leadership of LeAmon’s trusted industry knowledge, the DIA will focus on strengthening the role of design as a national capability, advancing professional standards and advocacy while forging partnerships across sectors to position design as a key driver of innovation, sustainability and social progress.
The role officially commences on 12th January 2026.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In an industry where design intent is often diluted by value management and procurement pressures, Klaro Industrial Design positions manufacturing as a creative ally – allowing commercial interior designers to deliver unique pieces aligned to the project’s original vision.
From the spark of an idea on the page to the launch of new pieces in a showroom is a journey every aspiring industrial and furnishing designer imagines making.
For a closer look behind the creative process, watch this video interview with Sebastian Nash, where he explores the making of King Living’s textile range – from fibre choices to design intent.
Merging two hotel identities in one landmark development, Hotel Indigo and Holiday Inn Little Collins capture the spirit of Melbourne through Buchan’s narrative-driven design – elevated by GROHE’s signature craftsmanship.
In an industry where design intent is often diluted by value management and procurement pressures, Klaro Industrial Design positions manufacturing as a creative ally – allowing commercial interior designers to deliver unique pieces aligned to the project’s original vision.
Working within a narrow, linear tenancy, Sans Arc has reconfigured the traditional circulation pathway, giving customers a front row seat to the theatre of Shadow Baking.
At the Munarra Centre for Regional Excellence on Yorta Yorta Country in Victoria, ARM Architecture and Milliken use PrintWorks™ technology to translate First Nations narratives into a layered, community-led floorscape.
The Simple Living Passage marks the final project in the Simple World series by Jenchieh Hung + Kulthida Songkittipakdee of HAS design and research, transforming a retail walkway in Hefei into a reflective public space shaped by timber and movement.
The internet never sleeps! Here's the stuff you might have missed
Located in the former Madam Brussels rooftop, Disuko reimagines 1980s Tokyo nightlife through layered interiors, bespoke detailing and a flexible dining and bar experience designed by MAMAS Dining Group.
A collaboration between Hassell, Weston Williamson + Partners (WW+P Architects) and Rogers Stirk Harbour + Partners (RSHP) sees the opening of five new underground stations.
The Fisher and Paykel Melbourne Experience Centre by Clare Cousins Architects with Fisher and Paykel Design and Alt Group has been awarded The Retail Space at the INDE.Awards 2025. As a winning project, it redefines the possibilities of retail architecture by creating an immersive, material rich environment shaped by place, culture and craft.
The Simple Living Passage marks the final project in the Simple World series by Jenchieh Hung + Kulthida Songkittipakdee of HAS design and research, transforming a retail walkway in Hefei into a reflective public space shaped by timber and movement.