We live in a 24/7 world. What does this mean for the future of workplace design? Veteran workplace interior designer Angela Ferguson shares her observations.
It’s now 2019, the year in which the 1982 movie Bladerunner was set. And just like Bladerunner, our world is dominated – if not ruled at times – by screens and technology. This dependence on technology has driven us very quickly towards a culture that runs 24 hours a day, 7 days a week, almost every day of the year.
Life is fast-paced and demanding. We are always connected, always available, and for many of us, always working. Technology has given us the mobility and freedom to work anywhere, at any time and with greater autonomy than ever before. If this is the status quo, then what does that mean for the physical workplace, which up until now has been essential for us to do our work?
Many would argue that the physical workplace has lost both its value and its meaning – that a physical office location to work in is no longer necessary, that all we need for our occupational endeavours is a mobile device and Wi-Fi. Many would also argue that this ‘untethering’ is an appropriate vision for the future. Several years ago this notion was of some concern to me, mostly for selfish reasons; as an interior designer specialising in workplace design, I was worried I would soon be out of a career!
Instead, I have found the opposite to be true. In a 24/7 world that is driven by technology and virtual connectivity, the workplaces we inhabit are more influential than ever before. In the research we do at Futurespace, we find workplaces are occupied for at least two to three full days a week on average, across the Monday to Friday working week. While this may not seem like a lot, it is also important to note that the Australian working week is among the longest in the world.
Just because we can work anywhere at any time, doesn’t mean that we should. We need boundaries around the discipline of ‘work’ and a designated place to work that supports this. It also stands to reason that the places we dedicate to work should evolve to have a more exciting and profound role when it comes to their influence on us; both professionally and personally.
The most successful workplaces in the 21st century are high-performing sanctuaries. They are more than just a place that looks cool or is Instagrammable. They support us in achieving our work and life goals, and we feel better having spent time in them. The best workplaces of 2019 and beyond will be places where people feel inspired and motivated. They must allow us to connect with our colleagues face-to-face because nothing will ever replace the need or power of human interaction. Ultimately, the modern workplace needs to be able to be navigated intuitively, while creating holistic wellness, social connection and engagement. They must support, nurture, stimulate and foster creativity. When all of these things are combined in the workplace, users can be influenced to be the very best version of themselves.
Our relationship with the modern office environment is more important than ever as much of our work today relies on technology and human interactions. The workplace has evolved to a more meaningful and people-centred typology. Now more than ever, it is critical that our workplaces are designed with intelligence and a thorough understanding of their performance. Because in 2019 we go to a physical workplace because we want to, not because we have to.
Want more workplace design inspiration? Take a look through our archives. And keep an eye out for the next issue of Indesign magazine due out in February which will focus on workplaces.
–
Be on top of the latest thinking in the design sector, sign up for our newsletter.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
For Libertine Parfumerie’s new Armadale boutique, Tamsin Johnson looked to the warmth of the home and the rhythm of old-world shopfronts to make fragrance retail feel slower, richer and more personal.
At Machine Hall, Herman Miller gathered Sydney’s design community to consider performance seating as part of workplace strategy, not just workplace furniture.
The internet never sleeps! Here's the stuff you might have missed
Craft, legacy, and American hardwoods converge in a collection that proves great design has no fixed address – one remarkable conversation across generations, geographies, and design traditions.