Beautifully-designed buildings can be destroyed by bad branding, but the architects must take some responsibility, Kellie Campbell tells Gemma Battenbough.
September 23rd, 2010
It’s hard not to cringe when you see a beautifully-designed building topped with an ugly neon sign, but the architects must take some responsibility, graphic design’s latest hot shot, Kellie Campbell, said.
Conventionally one of the last steps in the design process, branding is not about using a logo as a rubber stamp, said Campbell, the only Australian to make the winners’ list for this year’s Art Directors Club Young Guns Competition.
“No one can under estimate the idea of consistency in a brand. When you walk into a building, it should be about the whole experience. Graphic design is much more than a logo, more than a medium. Graphics is not 2D any more – it’s 3D!”
While graphic designers need to stop looking at buildings as giant billboards, architects also need to make a mental shift. Graphics should be integrated from the beginning and not shunned by designers of the built environment, Campbell said.
“Graphic designers and architects should meet in the middle. Graphic designers need to understand that buildings change the cityscape … But equally architects need to understand that clients often want to sell a product.”
Whereas graphic design has previously been considered the full stop and the finishing touch to the built environment, Campbell is calling for the discipline to be part of the initial discussion.
You only have to look at Grocon’s Pixel Building designed by Studio 505 to see how graphic design and architecture can be united.
And with architects, such as Michael Bryce, Life Fellow of the Australian Institute of Architects, proving that it’s possible to work in both disciplines (he is also a graphic and industrial designer, personally styling the ‘Opera House’ Olympic bid logo), there’s scope for more assimilation between the professions.
Campbell, a senior designer from Parallax Design in Adelaide, has just been announced as President of the Australian Graphic Design Association’s South Australian chapter and, as part of her role, she will try to forge stronger links across the creative communities.
“I’m looking forward to getting out and meeting people, listening to what inspires them, and seeing what they plan for their future careers,” she said.
Parallax Design
parallaxdesign.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Schneider Electric’s new range are making bulky outlets a thing of the past with the new UNICA X collection.
To honour Chef James Won’s appointment as Gaggenau’s first Malaysian Culinary Partner, we asked the gastronomic luminaire about parallels between Gaggenau’s ethos and his own practice, his multidimensional vision of Modern Malaysian – and how his early experiences of KFC’s accessible, bold flavours influenced his concept of fine dining.
In design, the concept of absence is particularly powerful – it’s the abundant potential of deliberate non-presence that amplifies the impact of what is. And it is this realm of sophisticated subtraction that Gaggenau’s Dishwasher 400 Series so generously – and quietly – occupies.
In this candid interview, the culinary mastermind behind Singapore’s Nouri and Appetite talks about food as an act of human connection that transcends borders and accolades, the crucial role of technology in preserving its unifying power, and finding a kindred spirit in Gaggenau’s reverence for tradition and relentless pursuit of innovation.
A remarkable, organic structure composed entirely of bamboo at the centre of an artificial lake, the wNw Bar (Wind and Water Bar) creates a warm, inviting environment that rhymes with the lush surrounding nature.
Swiss artists find inspiration in the darkest corners of the natural and built environments.
The internet never sleeps! Here's the stuff you might have missed
The 2025 Australian Architecture Conference has just taken place over two days at the Sydney Opera House and Seymour Centre, with a plethora of international and local speakers.
This office design by Carr reflects the brand’s identity, with a strong focus on functionality and refinement.