It’s now possible to hover above the pixellated form of Ole Scheeren’s MahaNakhon Tower in Bangkok on a glass deck over 300 metres above ground level.
If you’ve travelled to Bangkok in recent years, there’s no doubt your eyes have been transfixed on the emerging pixellated form of Büro Ole Scheeren’s MahaNakhon Tower. The opening of an observation deck – a 4.5 by 17.5-metre walkable glass platform dubbed the ‘Skytray’ – at its peak marks the completion of the tower 11 years after it was commissioned.
The Skytray hovers 314 metres above ground level and offers 360-degree views of the city to anyone unshaken by vertigo.

Photo by Srirath Somsawat
MahaNakhon, which translates to ‘great metropolis’, has an urban spirit at its core. “The idea behind MahaNakhon was to take the life of the city and bring it up the tower in a dramatic, spiralling movement,” says Ole Scheeren, Principal of Büro Ole Scheeren, of the 77-storey complex.
He adds, “Even the very top of the tower is surrendered to the public, so there is not only a public square at the ground, but human activity rises along the pixelated shaft to the top floors of the building which are given back to the public domain.”
MahaNakhon contains 200 homes and serviced apartments, as well as a 150-room hotel. Retail spaces, cafes, restaurants and a landscaped public plaza comprise the 150,000-square-metre complex.

Photo by Wison Tungthunya
The tower has the look of being eroded. A pixelated ribbon coils around the tower, its glazed skin peeling open to reveal terraces and balconies – and signs of human life. The podium is similarly prised open; it is split into two parts that define the outdoor public plaza.

Photo by Wison Tungthunya
Says Scheeren, “The building is an exploration of bringing the inside and the outside closer together and to create living spaces that float high above the city. You can step out onto the terraces and transition to the open air, as people in the tropics live in a fluid condition between interior and exterior spaces. We are literally carving those possibilities into the tower and make these qualities accessible at staggering heights.”
MahaNakhon was commissioned in 2008 by Pace Development, and was the vision of Scheeren who was Partner-in-Charge at OMA at that time. It was developed over the last decade by Büro Ole Scheeren Thailand and its subsidiary HLS.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
A standout pavilion from this year’s Bangkok Design Week explores shade and light for people and place.
Inside Bangkok’s Siam Paragon Mall, L’Atelier by Dinding Design Office celebrates the artistry of independent watchmaking through a space defined by light, craft and meticulous detail.
The internet never sleeps! Here's the stuff you might have missed
This November marks 25 years since Greg Natale opened his Sydney studio. In the decades since, he has built one of Australia’s most recognisable design practices, defined by pattern and decorative conviction.
Presented by Australian Aluminium Finishings