Innermost marks the Asteroid lamp’s 10th anniversary with a special ‘petrol colour’ edition.
February 15th, 2015
Ozgen Design Studio’s Asteroid first began life as a white porcelain vase, which could be rested on any surface. Later the studio collaborated with Innermost to launch a lamp version at the 2005 edition of 100% Design in London.
Based on a unique geometrical form, no two of Asteroid’s 24 individual surfaces are identical, and no two of its edge lengths either. In clusters, this generates the illusion of many different shapes, when there is only one.
Following a decade of success, Innermost is now debuting an iridescent version of the Asteroid pendant lamp, called Asteroid Petrol.
Asteroid is available in clear or petrol coloured glass or in white plastic, with the plastic version made suitable for outdoor use.
Innermost
innermost.net
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Within the intimate confines of compact living, where space is at a premium, efficiency is critical and dining out often trumps home cooking, Gaggenau’s 400 Series Culinary Drawer proves that limited space can, in fact, unlock unlimited culinary possibilities.
In design, the concept of absence is particularly powerful – it’s the abundant potential of deliberate non-presence that amplifies the impact of what is. And it is this realm of sophisticated subtraction that Gaggenau’s Dishwasher 400 Series so generously – and quietly – occupies.
The internet never sleeps! Here's the stuff you might have missed
From the industry-defining impact of the humble fabric swatch to the resonant statement on relevance and innovation at this year’s Salone del Mobile, Knoll’s material excellence continues to shape the world of design. Here, we explore this extraordinary legacy and look at how it informs the brand’s contemporary expression and the future of design.
The 2025 Australian Architecture Conference has just taken place over two days at the Sydney Opera House and Seymour Centre, with a plethora of international and local speakers.
How can design empower the individual in a workplace transforming from a place to an activity? Here, Design Director Joel Sampson reveals how prioritising human needs – including agency, privacy, pause and connection – and leveraging responsive spatial solutions like the Herman Miller Bay Work Pod is key to crafting engaging and radically inclusive hybrid environments.