This summer sees a comprehensive collection of iconic and revolutionary Californian design arrive in Brisbane at the Queensland Art Gallery. By Nicholas Sherwood.
October 15th, 2013
The first Barbie doll, classic Levi Strauss 501 jeans, prototype furniture by Charles and Ray Eames, and early designs of ‘leisure wear’ are all heading to the Queensland capital for Queensland Art Gallery’s (QAG) exhibition, ‘California Design 1930–1965: Living in a Modern Way’.
The highly innovative gallery is showcasing over 250 examples of Californian design, spanning the period of 1930 to 1965. Pieces curated for the exhibition display the vast and lasting effects that Californian design has had on contemporary culture.
The style of design reflects the laid-back, relaxed ethos that California embodies – somewhat similar to a stereotypical Australian lifestyle. Further highlights from the exhibition include Van Keppel-Green’s all-weather loungers, graphic designs by Saul Bass and Alvin Lustig, architectural drawings, plans and photographs, and the futuristic looking Airstream Clipper (1936).
The exhibition is on tour from the Los Angeles County Museum of Art (LACMA), and is curated by Wendy Kaplan. Kaplan believes ‘so many of the exhibition’s themes will resonate with an Australian audience. Both post-war California and Australia had burgeoning, newly prosperous populations, a benign climate that permitted life to be led informally and largely out of doors, and embraced design innovation and new materials.’
‘California Design 1930–1965: Living in a Modern Way’ runs at the Queensland Art Gallery from November 2nd 2013 – February 9th 2014.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Designed to be touched, picked up and played with, ‘New/Relic’ was a Melbourne Design Week exhibition of every fixture you’ve never thought about twice.
Arts writer and editor Victoria Hynes reports on the breadth of this year’s Venice Biennale, drawing out highlights from national pavilions including Australia, Morocco, India and the UK.
The internet never sleeps! Here's the stuff you might have missed
Returning to Melbourne this month, Australia’s official Passivhaus conference THRIVE turns its attention to the commercial case for high-performance building.
Rodney Eggleston, Australian architect and founder of March Studio, designed one of Milan Design Week’s standout installations in 2026 as Aesop took over Santa Maria Del Carmine for its ‘Factory of Light.’