As part of UNSW’s Celebrating Women on Campus project, the home of UNSW’s School of Built Environment has been renamed in honour of a trailblazing architecture graduate.
May 1st, 2023
It’s hard to overstate the achievements of Anita B. Lawrence: she was the first woman architecture graduate and the first woman to receive a University Medal, the latter an award which recognises excellence across all subjects at UNSW. She was also granted a BArch with First Class Honours in 1955 and a Master of Architecture in 1957.
It is fitting, then, that the renaming of this significant piece of Sydney architecture coincides with the 25-year celebrations of the building. UNSW’s School of Built Environment is hosting an exhibition on the building, with models – including a surviving timber model from before the real thing was built! – and drawings on show.

The exhibition has been arranged alongside fjcstudio and the AIA. SJB’s Adam Haddow, NSW Chapter President for the AIA, was in attendance for the 25-year celebration event featuring a panel including fjcstudio director Richard Francis-Jones and managing principal Elizabeth Carpenter, Arup’s Haico Schepers and UNSW’s Marion Burgess and James Weirick.
With luminaries in attendance from across the Sydney architecture community, tributes were paid to Lawrence’s legacy while anecdotes of life in the Red Centre were shared by some who have worked there since its inauguration.
Related: Truth and Lies in Architecture by Richard Francis-Jones

The building is a landmark in terms of architectural conventions in Australia. Situating itself in the tradition of monumental architecture that nevertheless prioritises human scale and use, it was a trailblazer in terms of its emphasis on principles of sustainability and passive design.
While its climatic design didn’t translate into flawless performance in all circumstances, the building was notable in its attempts to directly engage principles such as user choice in terms of thermal comfort. It’s a building that people learn to use in the sense of making it work, for example by manually manipulating louvres. As Arup’s Schepers noted, the Red Centre marked an early and somewhat experimental attempt to realise principles that are today more commonplace.

Buildings have lives long after the architects complete a project and the newly named Anita B. Lawrence Centre continues to be a source of learning, not least for the students who occupy it while learning to design.
The renaming is part of the wider UNSW’s Celebrating Women on Campus project that will rename 17 buildings and spaces after women role models. These include the first women graduates of each faculty, the first woman professor, the first woman Deputy Chancellor, the first Indigenous woman graduate, and many other alumnae and former staff who identify as women.
“Celebrating UNSW Women at its heart is making visible the incredible contributions of women to UNSW, and importantly, to society, throughout our entire history,” says UNSW Vice-Chancellor and president professor Attila Brungs. “If you look at our campuses, because of historical prejudice we haven’t celebrated or made visible the immense and incredible contribution women have made over the decades. The whole point of the project is, how do we not only redress that but, far more importantly, how do we inspire the next generation of UNSW women?”
fcjstudio
fjcstudio.com
Photography
John Gollings, Andrew Chung




We think you might also like this story on the Sydney School and the ‘bandit fringe’.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Merging two hotel identities in one landmark development, Hotel Indigo and Holiday Inn Little Collins capture the spirit of Melbourne through Buchan’s narrative-driven design – elevated by GROHE’s signature craftsmanship.
For a closer look behind the creative process, watch this video interview with Sebastian Nash, where he explores the making of King Living’s textile range – from fibre choices to design intent.
Now cooking and entertaining from his minimalist home kitchen designed around Gaggenau’s refined performance, Chef Wu brings professional craft into a calm and well-composed setting.
In an industry where design intent is often diluted by value management and procurement pressures, Klaro Industrial Design positions manufacturing as a creative ally – allowing commercial interior designers to deliver unique pieces aligned to the project’s original vision.
Jason Gibney, winner of the Editor’s Choice Award in 2025 Habitus House of the Year, reflects on how bathroom rituals might just be reshaping Australian design.
J.AR OFFICE’s Norté in Mermaid Beach wins Best Restaurant Design 2025 for its moody, modernist take on coastal dining.
The internet never sleeps! Here's the stuff you might have missed
Unveiled at Barangaroo South, Indonesian–Australian artist Jumaadi’s first permanent public artwork layers sculpture, sound and shadow to reimagine how art is encountered in the city.
From furniture and homewares to lighting, Dirk du Toit’s Melbourne-based studio Dutoit is built on local manufacturing, material restraint and the belief that longevity is central to sustainable design.