Registrations for the National Gallery of Victoria’s 2016 Architecture Commission Design Competition are open.
December 14th, 2015
Australian architects and designers are invited to develop evocative and thought-provoking works of temporary architecture for one of Melbourne’s great civic spaces, the Grollo Equiset Garden at NGV International.
Competitors are encouraged to offer a unique response to the site, explore new propositions about architecture and design, and demonstrate innovation in material use, fabrication, sustainability and recyclability.
Tony Ellwood, Director, NGV, says the Architecture Commission Design Competition could take many forms; “a pavilion of shade and retreat, a place for play or reflection, or a venue to share food, perform or gather”.
The judges for next year’s competition include;
Corbett Lyon, Director, Lyons Architecture (VIC)
Rachel Neeson, Director, Neeson Murcutt Architects (NSW)
Emma Williamson, Practice Director, CODA (WA)
Fleur Watson, Curator, RMIT Design Hub (VIC)
The competition will be held in two stages. Stage One calls for high level design proposals, of which up to five will be chosen to receive an honorarium and proceed to Stage Two.
The NGV Architecture Commission Design Competition process is developed and delivered by City Lab. The NGV Department of Contemporary Design and Architecture is generously supported by the Hugh D. T. Williamson Foundation.
Registrations open: 1 December 2015
Stage One and Question Period open: 9 December 2015
Entries close: 25 January 2016
Final winner announced: April 2016
Register for the 2016 Architecture Commission Design Competition by visiting citylab.com.au
City Lab
citylab.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Cast your vote in the 2010 Melbourne Design Awards!
Voting will be open until 13 February 2011, with the winners announced at an awards ceremony on 17 February.
Check out the entries at melbournedesignawards.com.au. It’s been an exciting year for design; don’t forget to show your support for our artists and industry by voting for your standout in the field of architecture, product design, graphic design, digital design, fashion and interior design.
For more information in the lead-up, follow the event’s progress on Facebook.
A major breakthrough for gender equity in the profession of architecture has been made with the Australian Institute of Architects’ National Council officially approving the organisation’s first Gender Equity Policy.
The internet never sleeps! Here's the stuff you might have missed
Even when we don’t realise it, we are guided by subtle cues in our environment. Colours, textures and geometries all converge to form an intuitive navigation system for inhabiting interior space.
Designed by Blight Rayner Architecture in partnership with Snøhetta, the Glasshouse Theatre is a rippling glass landmark that connects Brisbane’s public life with the performing arts.
Gold Coast-based photographer Tanika Blair brings an interior design eye to her work, capturing architecture through light, feeling and a strong sense of story.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.