April 20th, 2010










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The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Design Hub’s new ‘Artevista®’ range offers a decorative yet functional solution to spaces and surfaces both inside and out.
The Sydney-based director of Jason Gibney Design Workshop travelled to Copenhagen for this year’s Scandinavian festival of design, reflecting on what makes the event — and the city — so special.
The internet never sleeps! Here's the stuff you might have missed
Rodney Eggleston, Australian architect and founder of March Studio, designed one of Milan Design Week’s standout installations in 2026 as Aesop took over Santa Maria Del Carmine for its ‘Factory of Light.’
Presented by Stormtech