August 24th, 2010













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In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
From the up-and-coming young guns to well established talent – here are your 2018 Prodigy and Luminary nominations.
Renowned Australian designer-maker Jon Goulder talks about the beauty, and functionality, of Tasmanian Timber.
We all know that the traditional office space has evolved to accommodate a more fluid and intuitive solution to productivity. Our Indesign In Focus list is fit for the shift in working behaviours across the commercial industry.
NAWIC and Richard Crookes Constructions (RCC) invite you to visit their current project, The Kinghorn Cancer Centre (TKCC). TKCC is a new cancer research centre that combines integrated multidisciplinary cancer care and translational cancer research. TKCC is located adjacent to and linking into the adjoining Garvan Institute of Medical Research and the Victor Chang Cardiac […]
The internet never sleeps! Here's the stuff you might have missed
At Hornsby Park, AJC Architects’ Southern Lookout marks the first architectural intervention in the transformation of a former quarry into a major public landscape.
Drawing at a young age gave Angelene Chan an appreciation for architecture and provided the impetus to propel her to the top of her profession.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.