April 27th, 2009


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Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
What can Australian design + Architecture take from the world’s biggest furniture fair?
Japanese avant-garde fashion designer Yohji Yamamoto to exhibit site-specific installations at Design Museum Holon, Israel.
Renowned New Zealand photographer, Simon Devitt, spoke to indesignlive.com about his unique view of capturing architecture through storytelling with his images.
According to sociologist Ray Oldenburg, “third places are public spaces on neutral ground where people can gather and interact.” We review two INDE.Award-contending projects that revolutionise the meaning of ‘collaborative engagement’ at work.
The internet never sleeps! Here's the stuff you might have missed
As Saturday Indesign prepares to return to Sydney this September, architects, designers and exhibitors reflect on what has kept the event relevant for more than two decades.
With the launch of the Humanscale M/Class Monitor Arms, Humanscale proposes a different direction: one where workplace technology recedes into the background, allowing movement, posture and spatial clarity precedence.