August 12th, 2009







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In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Architectus Principals Simone Oliver and Patricia Bondin are set to speak at WORKTECH Sydney this year, so we asked them for some sneaky early insights on workplace design.
Bruno munari once curated an exhibition dedicated to the “unknown industrial designer”, an acknowledgement of all those fine but anonymous designers whose work has shaped our everyday world. Now in his mid-70s, Carl Nielsen has never been exactly anonymous, but as a key figure in Australian post-war Industrial Design and design education, he is probably not as well known as he ought to be.
The internet never sleeps! Here's the stuff you might have missed
The Melbourne-based, not-for-profit practice has designed a new fit-out and outdoor gathering space for the Victorian Aboriginal Healthcare Service.
Billo Bold, by Adam Goodrum for NAU, amplifies the plush proportions of the popular Billo seating collection with lusciously draped and folded upholstery.