December 23rd, 2010
















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In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
This bold, futuristic and thoroughly grand interior design is none of the above. This flagship store for JMGO by AIM Architecture captures the imagination and perfectly presents its brand to customers.
‘The Mandate Mirage: 2025 Workplace Futures Survey’ is a new report by international design practice Hassell, revealing that the real drawcard for attracting employees to the office in-person is choice.
Sydney architectural practice, NBRS+PARTNERS has created a design solution for the challenges of shifting demographic pressures with a response to balancing work and life in a highly urbanised environment. Impressively, this design solution is achieved in a 40-storey tower in the heart of Manhattan, New York.
The internet never sleeps! Here's the stuff you might have missed
Returning to Melbourne this month, Australia’s official Passivhaus conference THRIVE turns its attention to the commercial case for high-performance building.
M Moser Associates has reimagined DuPont’s Shanghai R&D Centre as a network of connected neighbourhoods, using local references and workplace strategy to support collaboration, flexibility and future growth.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.