Details of the British-Iraqi architect’s will have been released, with controversial ZHA director Patrik Schumacher gifted £500,000 as the sole beneficiary outside her family.
Leaving much more than a catalogue of ambitious works and a mourning global profession in her wake, documents recently secured by the Architect’s Journal have now put a figure to Zaha Hadid’s sizeable estate.
At the time of her death, the influential architect was worth a staggering £70.8 million, a sum dented by more than £3 million owed in debt. Among the executors of Hadid’s will are artist Brian Clarke, her niece Rana Hadid, former Serpentine Gallery chairman Peter Palumbo and the provocative ZHA director Patrik Schumacher, who has been gifted a cool £500,000 from the estate.
Following his appearance at the 2016 World Architecture Festival, Schumacher has become a divisive figure in the public eye. His recent comments advocating the abolition of social housing and public space in London have brought a maelstrom of heated criticism, including from his own team.
The practice published a statement condemning their current director’s views, reading, “Patrik Schumacher’s ‘urban policy manifesto’ does not reflect Zaha Hadid Architects’ past – and will not be our future,” in the open letter signed on behalf of the ZHA office.
Rana Hadid, Brian Clarke and Peter Palumbo have also come out in opposition of Schumacher, stating that, “The views recently expressed by Patrik Schumacher regarding the closure of art schools, the abandonment of social housing and the building over of Hyde Park are his personal views and are not, in any way, shared by us.”
The Zaha Hadid Foundation as well as the architect’s companies and family members are the remaining beneficiaries of the will.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
What use does the idle office have, if we’re all working from home? Sim-Plex Design Studio proposes an adaptive spatial solution for hybrid working.
Instant classics are sometimes made with a shared design vision and a couple of vintage German made roasters. This is definitely the case here.
The internet never sleeps! Here's the stuff you might have missed
For Mutual Trust’s Adelaide workplace, Woods Bagot drew on the idea of a stately family home to create an interior shaped by legacy and ease.
In this edition of The Edit, we take a closer look at Pedrali’s presence at the 64th Salone del Mobile.Milano, from the exhibition architecture to the new launches unveiled within it.