Studio Gram has been receiving a lot of awards lately, but their fit-out for Osteria Oggi takes their talents to the next level. Leanne Amodeo visits the recently opened restaurant.
January 7th, 2016
In a city teeming with Italian restaurants, Osteria Oggi instantly appeals for its sophisticated finishes and high level detailing. Emerging practice Studio Gram is responsible for the new fit-out – undoubtedly their best work to date – located in a former optometrist’s office and warehouse in the heart of the Adelaide CBD.
Architects and Studio Gram co-directors Dave Bickmore and Graham Charbonneau deliberately injected the design with a distinct Italian narrative. “We had this idea to create a piazza,” says Bickmore. “So the first move was to bring an outdoor space inside.” The restaurant’s back section effectively articulates this concept as it receives an abundance of natural light due to existing clerestory windows.
Accentuating the cosmopolitan ambience, two communal dining tables in American oak span the length of the rear space and arched compartments with booth seating encircle the perimeter. While the kitchen is located on its own mezzanine level, the indoor garden suspended above the tables is the scheme’s most innovative expression. “It’s a cross between a traditional arbour and contemporary pergola,” Charbonneau explains. “And we used it to add a sense of theatre.”
The architects repeat the arch feature throughout the restaurant’s front section, creating overall cohesion; in the fluted ceiling, two portal structures and recessed waiters’ station. This area is dominated by a burnished concrete double-sided bar that cuts the narrow section in half without compromising comfort or accessibility. The clients may have been initially opposed to the idea of an aperitif bar (commonplace in most parts of Italy), but it’s to their credit they let Bickmore and Charbonneau run with it.
A sensual material palette and elegant colour scheme are the design’s other compelling outcomes. The use of tumbled travertine floor tiles compliments the American oak furnishings and adds visual interest. “People thought we’d found some new product, but actually the tiles were sitting in storage for years. Our suppliers were happy to get rid of them!” laughs Charbonneau. They highlight the fit-out’s caramel hued tones and compliment the carefully considered details, including custom tan leather door handles by Melbourne-based design studio Made Measure.
Mint green was eventually chosen as the wall’s colour accent, however it wasn’t the architects’ first choice. “We originally developed a palette of five different pastels to use throughout. The front section was going to be painted baby blue, but we felt the green worked really well with the earthy tones,” says Bickmore. Black and white ceramic floor tiles offer strong contrast in the front section, heightening the fit-out’s considerable charm – something Osteria Oggi has aplenty.
Studio Gram
studio-gram.com.au
Photography by David Sievers
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
For Aidan Mawhinney, the secret ingredient to Living Edge’s success “comes down to people, product and place.” As the brand celebrates a significant 25-year milestone, it’s that commitment to authentic, sustainable design – and the people behind it all – that continues to anchor its legacy.
From the spark of an idea on the page to the launch of new pieces in a showroom is a journey every aspiring industrial and furnishing designer imagines making.
The undeniable thread connecting Herman Miller and Knoll’s design legacies across the decades now finds its profound physical embodiment at MillerKnoll’s new Design Yard Archives.
London-based design duo Raw Edges have joined forces with Established & Sons and Tongue & Groove to introduce Wall to Wall – a hand-stained, “living collection” that transforms parquet flooring into a canvas of colour, pattern, and possibility.
Over 400 incredibly diverse projects, people, products and ideas from all over Asia Pacific were submitted for the 2018 INDE.Awards and our esteemed jury have made their selections. And here are the nominees…
After Images: Imprints of Japan by Australian Architects is an exhibition and auction in support of Japan’s recovery from the March disasters, presented by the University of Sydney, Australian Institute of Architects, Sydney Architecture Festival and Emergency Architects Australia. The exhibition includes sketches by Richard Leplastrier, Peter Stutchbury, Sean Godsell, Tom Heneghan, John Wardle, Tadao […]
Liebherr are excited to announce the arrival of the new SBS 57I2-07, fully integrated side by side refrigerator and freezer. Superseding the SBS 57I2, the replacement model offers many more new and exciting features including the SoftSystem door closing mechanism which cushions the movement when the door is closed. This ensures that even if the […]
The internet never sleeps! Here's the stuff you might have missed
Recognised as a winner at the INDE.Awards 2025, Barton Taylor has received The Photographer – Residential accolade. His photographic work on Cake House captures the soul of a coastal icon reimagined, blending light, texture and atmosphere into a compelling visual narrative.
Cieran Murphy has been awarded The Photographer – Commercial at the INDE.Awards 2025. His work on Lune Rosebery captures the immersive design and storytelling of the space, highlighting the interplay of form, material and atmosphere in this contemporary culinary destination.