The City of Melbourne’s Creative Spaces program is inviting expressions of interest from creative businesses to join their latest project in the heart of Melbourne’s Arts Precinct.
September 9th, 2014
As creatives, we have all been a part of the lifecycle of Australia’s inner suburbs, turning them from grungy, industrial or unloved urban landscapes into engines of creative production, then so often witnessing the transformation into ‘trendy’ residential enclaves stripped of the creative substance that made them desirable.
As Program Manager for the City of Melbourne’s Creative Spaces Program, Eleni Arbus has her own description for this process, “It’s the artist-as-dung-beetle model, where artists or other creatives move into contaminated areas or disintegrating buildings, clean them up, attract small innovative creative businesses like cafes, small clothing retailers and other artists and presto, Toorak tractors start cruising by their front doors with potential buyers staring in from behind locked doors,” she explains.
But with Creative Spaces’ latest proposal there is a new model afoot. In Melbourne’s newly anointed Arts Precinct – featuring Wood Marsh’s 2002 ACCA building, ARM’s Melbourne Theatre Company and Recital Centre, as well as the NGV, Malthouse and the Victorian College of the Arts – a recently completed residential development known as ‘Guild’ has provided an exciting opportunity for creative businesses.
“We are having to intervene in a different market,” Arbus says. “We have an arts precinct in an area that has extremely high land value.”
With over 1000m2 of ground-floor space at the Guild, Creative Spaces is attempting to correct this imbalance. The program is currently inviting expressions of interest for the spaces, looking for a healthy mix of creative business – creative producers, arts organisations, architects and product designers – to take advantage of the publicly accessible space.
“Creative Spaces is exploring a new model with the Guild. We have an opportunity where a thousand square meters of space exists in the arts precinct that could either go to IGA or Coles Express or can be offered to creative users who are capable of paying a bit more for their space than the average artist. The Guild is not, strictly speaking, an ‘affordable housing project’ like River Studios or Boyd. It’s seizing an opportunity to put creative people and organisations in close proximity to the facilities and audience they need’.
Download the Guild EOI here.
creativespaces.net.au/the-guild
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
A curated exhibition in Frederiksstaden captures the spirit of Australian design
It’s widely accepted that nature – the original, most accomplished design blueprint – cannot be improved upon. But the exclusive Crypton Leather range proves that it can undoubtedly be enhanced, augmented and extended, signalling a new era of limitless organic materiality.
How can design empower the individual in a workplace transforming from a place to an activity? Here, Design Director Joel Sampson reveals how prioritising human needs – including agency, privacy, pause and connection – and leveraging responsive spatial solutions like the Herman Miller Bay Work Pod is key to crafting engaging and radically inclusive hybrid environments.
Saturday Indesign is giving you the chance to walk away with prizes that will bring the best of Australian design’s scene.
Stanton Kroenert is Woods Bagot’s new Regional Health Sector Leader, based in the Brisbane studio
The internet never sleeps! Here's the stuff you might have missed
The 2025 INDE.Awards winners were celebrated at the annual Gala in Sydney on 31st July.
‘What a Ripper!’ by comedian and architecture advocate Tim Ross explores Australia’s rich legacy of local product design.